Welcome to Our Own Elaine Roberts and The Foyles Bookshop Girls

We turn the tables on Elaine Roberts today, as we find out about her debut novel, The Foyles Bookshop Girlsset in World War One, and also a little about Elaine’s writing life

Hello Elaine! I’d like to say welcome to the blog, but you’re already here.

This feels a little weird but thanks you for hosting me on our blog and the interesting questions.

Do you think someone could be a writer if they dont feel emotions strongly?

When I write, I tend to put myself in the position of my characters, but that’s not to say the characters are me. I need to know their back-story, so I can write their actions and reactions accordingly. I do believe it helps to tap into your own emotions, to remember how you felt when something similar happened to you, or someone you know, or imagine how you would feel. A good example is if you lost someone you love, store those emotions so when you write it’s real.

I wouldn’t like to say you couldn’t be a writer, but it must be harder to draw the reader in if the emotions aren’t there to draw on, or at least don’t come across as real.

Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?

I enjoy reading books that are connected, whether by characters or setting, so it’s something I would love to do with my own novels. The Foyles Girls series are all stand alone books, but they have the same three girls in them. The fourth book idea I’m planning contains one of the characters, but she will probably be a grandmother, but of course it’s only an idea at the moment.

 If you could tell your younger writing self anything, what would it be?

Have belief in yourself and don’t give up.

I heard a poem a couple of years ago on YouTube. It’s by Prince Ea and called A Brand New Ending, about not being a “kinda” person because if you are, you end up with “kinda” results. It left a mark on me, and since then I’ve endeavoured to put my heart and soul into what I want to do. I can often be heard saying “don’t be a kinda person”

What was the best money you ever spent as a writer?

That’s quite a difficult question. Everything has been a series of stepping-stones. I attend a writing class, which introduced me to the Romantic Novelist Association’s New Writers’ Scheme, which enabled me to have my work critiqued each year. They also hold a conference each year, which is very high on my list of must do events, because of the workshops, panel talks and meeting industry professionals. It’s good to know that all the self-doubts you feel are the same for everyone.

Whats the most difficult thing about writing characters of the opposite sex?

Finding the tone and the voice of the characters. As a woman, I want to make sure the male character sounds real. Again it’s about knowing their back-story and I tend to think about people I know, but that’s not to say my characters are people I know. By nature, I have always been a people watcher, so people’s mannerisms and actions fascinate me. I constantly ask myself if they would act or speak like that?

How do you select the names of your characters?

I use a number of methods. Family names are a popular way of choosing, but I’ve also done an internet search of popular names in a given year. There is also the census, which is a great resource for names and occupations.

Does your family support your career as a writer?

I can honestly say, hand on heart, that I couldn’t have achieved what I have without them. In the past, I’ve had my children acting out scenes in my front room, as well as giving ideas and advice. My husband reads everything I write and lifts me when I’m down. My whole family has been involved in my writing journey and continue to be excited and part of the story.

 

About The Foyles Bookshop Girls

London, 1914: one ordinary day, three girls arrive for work at London’s renowned Foyles bookshop. But when war with Germany is declared their lives will never be the same again… 

Alice has always been the ‘sensible’ one in her family – especially in comparison with her suffrage-supporting sister! But decidedly against her father’s wishes, she accepts a job at Foyles Bookshop; and for bookworm Alice it’s a dream come true.

But with the country at war, Alice’s happy world is shattered in an instant. Determined to do what she can, Alice works in the bookshop by day, and risks her own life driving an ambulance around bomb-ravaged London by night. But however busy she keeps herself, she can’t help but think of the constant danger those she loves are facing on the frontline…

Alice, Victoria and Molly couldn’t be more different and yet they share a friendship that stems back to their childhood – a friendship that provides everyday solace from the tribulations and heartbreak of war. 

Available at Amazon here

 

Elaine Roberts had a dream to write for a living. She completed her first novel in her twenties and received her first very nice rejection. Life then got in the way until circumstances made her re-evaluate her life, and she picked up her dream again in 2010. She joined a creative writing class, The Write Place, in 2012 and shortly afterwards had her first short story published. She was thrilled when many more followed and started to believe in herself.

As a member of the Romantic Novelists’ Association, progressing to full membership from the New Writers Sceme, and The Society of Women Writers & Journalists, Elaine attends many conferences, workshops, seminars and wonderful parties. Meeting other writers gives her encouragement, finding most face similar problems.

Elaine and her patient husband, Dave, have five children who have flown the nest. Home is in Dartford, Kent and is always busy with their children, grandchildren, grand dogs and cats visiting. Without her wonderful family and supportive friends, she knows the dream would never have been realised.

Find out more about Elaine and chat with her here:

Twitter

Facebook author page

Advertisements

Retreating to the Seaside

Francesca reflects on the advantages and fun of writing retreats.

Hastings Old Town would make a good setting for a novel.

Hastings Old Town would make a good setting for a novel.

Do you ever go on writing retreats? I’ve been going on at least one a year since 2010 and I thoroughly recommend them. They’re an enjoyable way to achieve a good number of words, with no household or family day to day incidents to distract you.

That’s not to say that it’s all work, work, work. There’s got to be a balance. It helps to have an agreed format with those you’re on retreat with. In my experience it goes something along these lines:

  • Morning: work till coffee time. Go out for coffee
  • After coffee: work
  • Lunch: Snack lunch provided and shared by attendees
  • Afternoon: Write till around 3.30. Have a cup of tea and a natter.
  • Work till dinner time.
  • After dinner: Watch TV, a film, natter, feedback.
  • Work if you’re a night owl

A lovely old boat in Whitstable which could spark new story ideas

The breaks seem plentiful but are an encouragement. Plenty of mini goals can be set which I always find spurs me on. Having breaks is also an opportunity for feedback.

The proportion of work the participants get done during each period depends on whether they’re a morning, afternoon or evening person. During my retreat in Hastings, my writing buddy, Angela Johnson, achieved more in the mornings, whereas I did more in the afternoons. She also managed to get an early morning walk in most days before even starting! Another writing buddy, Elaine Roberts, is also a morning person, whereas Elaine Everest likes to work later in the day.

A feature of  some retreats I’ve been on is each person cooking an evening meal, which has provided at least four dinners during the week. The other days, particularly the first and last, we’ve eaten out. How much you do that depends on what people want to spend, so retreats can be tailored to a budget. Sharing a house obviously divides renting costs. If you’re prepared to share bedrooms (I’m afraid we never are), it brings the cost down again.

Littlehampton in the winter sun

All but one of the retreats I’ve been on have taken place by the sea –Whitstable, Littlehampton and Hastings – so there is much to inspire a thalassophiliac* like me. Perhaps mountains or woods are more your thing and you prefer to hide yourself away completely. Personally I feel it helps to have shops nearby. The one retreat we did where we were in the middle of nowhere (if you can call being seven miles from Hastings that!), we couldn’t even pop out for milk.

The final feature of all the retreats I’ve attended has been a day out in the middle to somewhere interesting. It’s another chance to recharge those batteries and could even be a chance for a little research.

If you’re looking for a cheaper alternative and you have close family living at a distance, you could always ask to spend a week at theirs. It’s particularly useful if they’re at work during the day and you can get on, while enjoying their company in the evening. It’s not something I’ve done yet but I have thought about it.

To all those on a retreat soon, happy writing – and don’t get snowed in like we nearly did our first year in Whitstable!

Whitstable beach in the snow, 2010

Whitstable beach in the snow, 2010

* A thalassophiliac is someone who loves the sea!

 @FCapaldiBurgess

 

 

 

 

The Novel’s Just The Beginning…

Elaine Roberts talks about the next stage of her writing career

As all of you probably know by now, I have written my First World War One saga, The Foyles Bookshop Girls, and have been lucky to be offered a three book contract with Aria Publishing, which was duly signed. I planned my novel in scenes and chapters, tying in the historical timelines with my fictional one. It was all a huge learning curve for me, but I took my time. Sometimes, I moved scenes around, only to realise my characters were then talking about things that hadn’t happened yet. Thank goodness for modern technology and cut and paste. Imagine doing it on a typewriter.

I am now moving on, and I expect you’re all thinking I’m talking about my second novel. However, while I’m writing that, it isn’t it. I’m talking about another huge learning curve; marketing and promotion. This is something I’ve never done in any shape or form. I’ve never pushed myself forward into the limelight, never wanting the attention, but now I’m having to bite the bullet and force myself out there, otherwise people don’t know me, or my book, exists.

I did wonder if I could carve out a mysterious persona like Banksy, the street graffiti artist, but that’s not possible.

So what will my promotion look like? I’m not altogether sure. My publishers are arranging things behind the scenes and I know that includes a blog tour. For the people who don’t know, bloggers do a fantastic job reviewing books, interviewing authors and hosting competitions. They probably do a whole lot more than that, but I am in awe of the time and energy they put into their blogs, mainly because they love to read and to encourage others to do the same. If you are not a writer, please search out the bloggers on the Internet. They do a wonderful job.

Social media is now a big part of the process of marketing and promoting yourself. Do I hear you all scream noooo? Yes, that was me several years ago, when I was at the start of my writing apprenticeship.

I now have a website, and YouTube has also been mentioned.

Doing talks and being part of an event, instead of a spectator, is another new adventure for me. I’m booked to attend my first event, the War and Peace Revival 2018 at Paddock Wood in Kent. I’m sure as that gets nearer, panic will start to take hold!

I also write short stories/articles in the chosen genre/interest, which in my case is historical fiction.

Wherever your career path takes you, think ahead to your marketing strategy. There will be blogs out on the Internet that probably cover every subject you can think of. If not, start your own. Build your social media platforms; it’s how most people find things out these days. Take lots of photos; we all love a photograph.

Above all else, don’t forget to thank the people that helped you to achieve. In my case, there are lots, too many to name but they know who they are. Some will have just offered a word of encouragement, while others will have given me sound advice and critiqued my outpourings, but they’ve all played an important role in my achievement. Thank you for all that you have given me.

Twitter: Elaine Roberts

Facebook: Elaine Roberts Author

Website: https://www.elaineroberts.co.uk

This Was Real Girl Power!

Elaine Roberts and Francesca Capaldi Burgess talk about how the First World War affected women on the home front.

Elaine: My World War One (WW1) saga, The Foyles Bookshop Girls, is based in London’s West End. When I started writing, it I must admit to being a little ignorant of how life was back in 1914. History wasn’t my strong point at school; I only remember learning about dates and royalty. However, I knew about the suffragette movement and the trench warfare of WW1, but I had to do considerable research about women at the home front, at this time. To be honest, I knew more about World War Two, so I don’t really know why I didn’t choose to write about that.

While the First World War wasn’t the only catalyst for change for women, it did bring women to the forefront of society. Prior to the war, many employers refused to take on married women, so it was mainly single women or widows that were employed outside of the home. Once the men had enlisted to fight for King and Country, women were actively encouraged to leave domestic service and take on more difficult and strenuous work. It’s no coincidence that it was after WW1 that some women got the right to vote and a few were allowed to stand as members of parliament, although that did take a few years to happen. On a practical level, hems got shorter and, in some cases, fashion took on a more military theme. With the men away, they also became the main wage earner; in some cases, the only wage earner. They took on managing the home, the family and elderly relatives, as well as managing the money. Earning a wage, albeit less than men doing the same work, also brought about the feeling of independence for the first time.

 

One of my great grandmothers, 1970s, in the ‘kitchen’ of her house, still reminiscent of the one she had in the mining village in the 1910s.

Francesca: The novel I’m currently working on, set in a Welsh mining village in the First World War, had its origins in my own family. Both my maternal great grandmothers were bringing up small children in 1914, two miles away from each other in the Rhymney Valley. I first got interested specifically in social history in the late Seventies, during my history degree. The story of the woman on the street, field, or in the case of my novel, the mine, is so much more fascinating than that of politicians and monarchs.

The experience of women in coal mining towns would have been a little different to that of other women in Britain, since most still had their men at home, precluded by the 1916 Military Service Act from enlisting. Life on the monetary front was a little easier than it had been before the war, because of pay increases due to the urgent necessity of steam coal for the navy. But a little more money in your pocket is of no consequence when food becomes short, as it did quite quickly. Women tended to feed their husbands and children first. This often meant they went without. Their health suffered as a consequence.  Many women in these working class environments died of diseases they couldn’t resist, or in childbirth.

Women were considered feeble not only physically but often intellectually. Most working women were in domestic service or did shop and clerical work. Others, mainly middle class women, went into nursing or teaching, but had to leave once they married. Many women, including those in mining villages, took work in at home, like laundry, sewing and knitting.

My Italian paternal grandmother, c1914. She was a war widow and bought her own business in England in the 1930s.

Women’s position in the work place changed during the war, as more men signed up and were eventually conscripted. Women took on factory jobs, then farming jobs when the Women’s Land Service Corp got going in May 1915 (Becoming the Women’s Land Army in 1917). In mining villages, women had long done the job of screening coal. As the labourers who emptied trucks at the top of the pit were sent to war, women were employed to take these back breaking jobs on too.

Some men refused to work with women, afraid that if they could handle the work, it would be undervalued. They were right to be worried. After initial scepticism about women’s ability to cope in the factories, a report in November 1915 found that women were, in fact, more efficient!

Despite coping and getting on with the challenges, women were still seen as poor, weak creatures, in need of ‘Guardians’ to look out for misconduct. The police were also encouraged to keep an eye on them. Women got an allowance while their husbands were away fighting, but the newspapers created the idea that women were frittering it away on items like alcohol. Regardless of this, for many women who’d been bullied by their husbands, it was a time of freedom.

By the end of the war, there were many widows, or women who would never get the chance to marry. They found themselves in a position where they had to work, or keep on working, in order to live. Many women who campaigned to retain their jobs after the war, and fought for equal pay, were considered ‘hussies’. They weren’t discouraged, but kept on fighting to improve their working lives.

We have a lot to thank them for.

 

Twitter: @FCapaldiBurgess         @RobertsElaine11

Elaine’s Facebook Author Page

Amazon: The Foyles Bookshop Girls

Francesca’s Competition Monthly on the RNA Blog

It’s The Real Thing

Elaine Roberts talks about how her dream has become a reality.

When you have a dream, or what you think is an unachievable ambition, and it suddenly becomes a reality, does it live up to what you expected?

Me WorkingIn my case, the dream, or the lofty ambition, was to become a published novelist and to see my name on a cover. I have been lucky to have many short stories published in different countries, but the novel was always my dream for as long as I can remember. There were times when it felt the learning curve, the work, the commitment needed was insurmountable, but it wasn’t. It just needed time, patience and reminding there was no rush. I had to learn my craft.

The followers of this blog will know that I signed a three-book contract with Aria, Head of Zeus, at the end of 2017. Since then, my dream has become a reality. I’ve had structural and copy edits in, thankfully nothing too onerous. Rightly or wrongly, the copy edits made me chuckle because I hadn’t realised how many times I’d used the phrase “took a deep breath”, despite reading through quite a few times before sending it off. Thanks goodness for editors. I met my editor for lunch this week and I think we could have talked long into the night, and without alcohol, amazingly. Part of our conversation was about book four onwards – now that was scary. Joking aside, the team at Aria are lovely to work with.Business Card

Thanks to my son, I now have some wonderful business cards and a nearly finished website, with an interactive business card on it. I got so excited about the card on the website, I was like a child at Christmas. I also have an author page on Facebook. So you can see, I am now on another steep learning curve about promoting myself. If you visit my author page, please feel free to like and follow me. It’s always good to talk.

I’m sharing the cover of my first novel, The Foyles Bookshop Girls, here first.
The Foyles Bookshop Girls

I was beyond excited when it became available for pre-order on the Amazon, Kobo and WH Smith’s e-book sites.

Amazon:          The Foyles Bookshop Girls

Kobo:               The Foyles Bookshop Girls

WH Smiths:    The Foyles Bookshop Girls

 

So my opening question was, does the reality live up to the dream? My answer is a resounding yes. It is hard work and there are times when I hate what I’m writing, that’s usually around the 30,000 word mark, but I can’t stop writing. It’s in my blood, my DNA. You can rest assured I have ordered a kindle version of my book but when it becomes available I will also order a paperback copy as well. It’s so exciting!

By the nature of the word “dream”, what you want always feels unachievable, but what you have to remember is, if your dream was easy, everyone would be doing it and then it wouldn’t be your dream, because it would be the norm.

Good luck to everyone who has a dream, no matter how small that is. Stick with it. With perseverance and patience, you can get there. If I can do it, so can anyone.images

Facebook:        Elaine Roberts Author

Website:          www.elaineroberts.co.uk

Twitter:           RobertsElaine11

 

 

Never Work with… Children?

Francesca wonders whether the WC Fields quote applies in writing also. Is creating young characters troublesome?

The original ‘Cosmo’.

A couple of years ago, I received a critique for a novel that featured three-year-old twins, Elin and Rhys. The feedback was greatly encouraging, though it did call into question whether my toddlers would speak and act the way they did. The critiques are done anonymously, so I didn’t have an opportunity to say yes, they would, because they’re based heavily on my eldest grandson, Luca, himself three at the time. For that reason I felt confident I’d got them more or less right.

It wasn’t the first, or last, piece of writing where the child characters were inspired by my own progeny. Around the same time I wrote a long short story (if you get what I mean) about a cute three-year-old called Cosmo, who loved ‘woowoos’, ie, emergency vehicles. He was also based on Luca. The story was sadly commissioned for an anthology that never saw the light of day – but I’m not bitter!

It’s not only Luca who gets to hog the limelight. The third short story I had published,  A New Beginning, in The Weekly News back in 2009, featured teenager Peter. It’s no coincidence that Peter is the name of my oldest son. Since then each of my four children have appeared in at least one story, though not always under their own names. Using them as models for characters has been useful though.

To date I’ve written eleven short stories and five novels that feature children or teens. My first two novels were, in fact, Young Adult. The second of those (shortlisted for the Wells Festival of Literature Children’s Competition in 2016) featured several sixteen-year-olds. While none of them were based on my children, I did use them as source material on various aspects of young adult life. There’s nothing funnier than hearing your teenage son on the phone go, ‘Yeah man, sweet, sweet. Sick!’

Peter in his ‘Bluestone’ days.

Peter and my younger son Jack have both been involved in the music scene, one as a musician, the other as a club DJ. This has been useful for research. Peter even made me a CD compilation of club music, to play and refer to while writing a party scene. I can tell you it’s weird hearing a sample of Thomas the Tank Engine in the middle of a drum and bass piece!

With or without your own progeny, there are plenty of other ways to research children and teens. Observe them in cafes and on trains. Children’s and youth magazines are useful. What’s in with the little kids these days? What are teens wearing, listening to, watching? Get a TV guide and see what programmes are popular. Watch a bit of BBC 3.

Dear Diary…

It also helps if you have a good memory – and a diary. I’ve long been in possession of a journal written in the summer 1971, by half-a-dozen of us who worked at my dad’s cafe. We were thirteen/fourteen at the time. Yes, it was common for that age group to do seasonal cafe work back then. We were fascinated and frightened by boys in equal measure. The diary reveals us to be crazy, bitchy, moody and inclined to stomp off and cry (the others, not me of course!). I’ve recently used the diary, along with my own memories, for a short story set in 1971 about Sandi and Steve. It was a hoot revisiting those mad days of funfairs and discos. Diaries from one’s youth are handy for recalling what it was like to be young.

As the WC Fields quote goes, Don’t work with animals and children. Animals in writing is a whole other subject I might cover another time, but I’d contest the children part. I’ve enjoyed creating children older and younger, playing out their stories on paper. They’re complex, wonderful, exasperating, worrying and hilarious. What more could you ask of a character? And I’ll let you into a secret. Despite coining that quote, WC Fields secretly admired children greatly. So there you go. Do work with children, on the page in a writer’s case. It’s fun!

@FCapaldiBurgess

 

Back Where We Belong…

Francesca and Elaine are catching up with what’s been going on in the last couple of months.

Elaine: So you first Francesca, what’s your excuse for being absent?

Enjoying the RNA London Chapter Christmas meal in December

Francesca: Well Elaine, I spent the latter part of 2017 editing my historical novel, set in 1915/1916 in South Wales. It has taken me a lot longer than the contemporaries I’ve written, for obvious reasons. The history graduate in me has pushed me to research, re-research, then research a little more. It doesn’t take much to become absorbed by even quite minor subjects and spend longer on it than is necessary.

I’ve found this particularly with the census. I’m fascinated with the minutiae of everyday life as revealed by these documents. It’s all too easy to get carried away, especially when you can sit in the comfort of your own home to study them, rather than in a records office as I did forty years ago, straining my eyes to look at the microfiche.

Okay, Elaine, what’s the excuse for your absence from the blog?

Elaine: Oh you mean apart from spending several weeks in bed with the flu virus that has been going around and obviously excluding Christmas, which is always a hectic time in my house. You know, I can’t believe how long it’s been since we last chatted here. Where have those weeks gone?

Elaine’s New Photo

Gosh, I sound like my mother!

Anyway, my year ended with stunned excitement, if that’s possible. I received an e-mail and phone call from Aria, which is the digital imprint of Head of Zeus Publishers. I have signed a three-book contract with them and, if I’m honest, I still can’t believe it. It all feels very surreal after years of working towards that goal, but watch this space for further news of the cover, title and publishing date. To celebrate, my son took a new photograph of me, so I thought I’d share that with you.

So what’s next Francesca?

Francesca: First of all, congratulations! You deserve the success as I know you’ve worked hard. As for me, I’ve nearly finished editing now and it will then be submission time. With a bit more time back, I’m going to concentrate on other submissions too, particularly the short stories, which have taken a back seat during the current novel. I’m looking forward to writing and submitting some shorter pieces.

And what’s next for you, Elaine?

Elaine: I’m working on book two of my contract, but I don’t want to give too much away at this stage. It was already started, but now I know someone is going to actually read it, I’m revisiting the structure of it. I shall also be working on the edits of book one when they come through.

I have a list of things to do, most of it around social media and promotion, but I also need to start thinking about book three.

It’s scary times ahead.

What have you lot been up to then? We’d love to read your comments.

@RobertsElaine11

@FCapaldiBurgess

You can read Francesca’s January Competition Monthly on the RNA Blog here