Guest Author Rosemary Goodacre On Her Saga, Until We Meet Again

We welcome back writer Rosemary Goodacre, whose World War 1 saga is out today

Hello Rosemary and thank you for visiting the Write Minds blog with your new book Until We Meet Again.

Hello, Francesca and Elaine, thank you for welcoming me to the Write Minds Blog.

What led you to writing about World War 1 as opposed to another period in time?                               

I suppose it was all the media interest as the centenary came up. My grandparents could remember the Great War, yet in many ways it seems like another world.

With the novel being set over a hundred years ago, what kind of research did you have to undertake?                                                                                                                                                   

I read memoirs from the time. There was also a wonderful film called They Shall Not Age, which was reprocessed documentary WWI film with colour added. There was even dialogue, which they had constructed from the original speech, with the help of lipreaders. You could get a vivid impression of the hardship the men actually encountered in the trenches.

How do you come up with characters and are they ever inspired by real people

Sometimes real people give me an idea for a character, though they may need adapting to have the outlook people would have had at the time: for example, at least at the beginning of the war, women had much less freedom. Sometimes a fictional character who was inspired by a real person suddenly takes over and insists on setting off in a different direction!

Which character from the book have you most enjoyed writing?                                       

The hero and heroine, Edmond and Amy, became brave, inspiring people when their world suddenly became so dangerous and challenging. I kept thinking of the men who somehow managed to joke and sing, even in the trenches.

How did you get started in writing?                                                                                                         

I’ve written stories for many years, and sometimes become immersed in entire novels. I started going to classes and gradually became more serious about getting published. The occasional early success with a short story boosted my morale. I like to think I’ve become more professional as the years have passed.

How do you organise your writing day?                                                                                                        I allocate some dedicated writing time so I don’t get bogged down in domestic distractions or too involved in leisure pursuits. I’ll have put together an outline of the story to start with, and done some preliminary research, so I’ll charge ahead with the whole story and then go back to see what needs correcting or improving.

What can your readers look forward to next?                                                                                   

I’m working on a sequel to Until We Meet Again, so I’m hoping Amy and Edmond will be back before long!

We’re so glad you could drop by to talk to us. All the best with Until We Meet Again.

It’s been lovely visiting your site, thank you so much for having me as your guest.

 

Until We Meet Again

The Great War drove them apart – but love kept them together

Summer 1914: Shy young woman, Amy Fletcher, lives a quiet life in Sussex. An office worker, she lives at home, along with her parents and spirited younger brother, Bertie. But her life is transformed when she meets handsome young man, Edmond Derwent, son of one of the wealthiest families in the small town of Larchbury, and student at Cambridge University.

The couple are falling deeply in love when war breaks out and, eager to do his duty for England, Edmond signs up as an officer. The couple plan to be wed, eager to start a new life together – but their happiness is short-lived when Edmond is sent to Flanders to lead his men into battle. Amy trains as a VAD nurse and is soon sent to France, where she sees the true horror of war inflicted on the brave young men sent to fight.

Separated by war, Edmond and Amy share their feelings through emotional letters sent from the front line. But when Edmond is critically wounded at Ypres, their love faces the biggest test of all – can their love stay strong while the world around them is crumbling?

A romantic, emotional saga set in WW1 – readers of Rosie Goodwin, Katie Flynn and Val Wood will be captivated by this story of love.

Until We Meet Again can be purchased on:                                                                                              Amazon                                                                                                                                                                    Apple                                                                                                                                                                                    Kobo

About Rosemary Goodacre                                                                                               

Rosemary Goodacre has previously worked in computing and teaching. She has had short stories published and a novella, A Fortnight is not Enough.

Her father’s family came from continental Europe and she loves travelling.
She enjoys country walking, bridge and classical music. She lives with her husband in Kent, England.

You can find Rosemary on Facebook and Twitter

 

Read more about  Until We Meet Again by following the tour:

Guest Author Rosemary Goodacre on ‘A Fortnight is Not Enough’ and Provence.

Today we welcome author Rosemary Goodacre, who tells us about her debut novella, A Fortnight is not Enough, set in beautiful Provence, and her connection with the area.

Portrait Rosemary GoodacreWelcome to the Write Minds blog, Rosemary. This must have been an exciting time for you with the publication of your first novella. Did you do anything to celebrate?

I’m really thrilled with the news but haven’t done anything special yet to celebrate. I’m busy with social media publicity and current writing projects.

You describe the Provençal town of Pont-César in some detail, its narrow streets, market, cafes, Roman arena and so on. Is it based on any particular town or towns?

When we visited the south of France in 2016 we stayed in Arles, on the Rhône, the main inspiration for Pont-César. In the arena there you can take part in ‘gladiator training!’

Did you visit anywhere else in Provence?

We visited the Carmargue, a marshy coastal area where flamingos live wild, and Avignon, where you can see the famous bridge (no longer quite complete) and the palace, occupied in the Middle Ages by certain Popes.

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‘Gladiator training’ in Arles

Imogen’s French in the book is described as being good. Are we right in thinking you also speak French

My father’s family came from the continent and my grandparents spoke French at home. I’m not fluent but I can keep up a conversation. My cousin comes from Liège in Belgium, where they speak French. She now lives in France, in the Gers, not far from the Pyrenees, and we went on to visit her in 2016.

The two main characters, Imogen and Jules, are both artists. Have you ever dabbled with painting yourself?

I’m afraid it was only dabbling. I knew what I wanted to paint but didn’t have the skill to execute it well. I have friends and relatives who paint and it’s a lovely career or pastime.

Several Impressionists are mentioned in your story as being on display in the gallery. Do you have a favourite Impressionist artist?

I haven’t got a favourite but I love their images of sunshine and sparkling rivers. Their lives were probably more challenging than the idyllic pictures suggest.

Jules’ maman cooks some tasty dishes for Imogen. What French food do you particularly enjoy?

There’s a very wide variety of French food, including, thriftily, creatures and parts of creatures we don’t normally eat. In Toulouse I resisted trying the popular dish of Gizzards. Most French food is delicious, though. I love the healthy Mediterranean diet of fruit, vegetables and fish.

What are you working on next?

I’ve recently completed a romance entitled The Day of the Dolly Bird, set in London in the Swinging Sixties. It has been critiqued by a professional novelist through the New Writers’ scheme of the Romantic Novelists’ Association, and received a largely favourable report. At present I’m writing a historical novel set in World War I.

Thank you for taking the time to answer our questions, Rosemary. All the best with A Fortnight is not Enough.

Many thanks for inviting me to your blog, Francesca and Elaine.

Find Rosemary on Facebook and Twitter

A Fortnight is not Enough

A Fortnight is not Enough-cover-miniHave you ever enjoyed a holiday so much you could not bear to go home?

When 18 year old Imogen from London meets Jules in the south of France she is painting a view of the river and finds he is an artist too. As a student he earns a little by restoring paintings at the nearby gallery. She extends her three day stay to a fortnight. She loves the warm sunshine and the old town with its Roman remains.

As she becomes increasingly attracted to Jules she is unwilling to return home, where her older boyfriend Luke employs her in his photography gallery, obsessed with furthering his own ambitions. She travels to the airport but then impulsively misses her flight.

Will she need to return to London or can she and Jules find a way to allow her to stay? When the gallery is threatened, fate takes a hand…

Published by US publisher, Books to Go Now and available from Kobo Amazon UK and Amazon US

 

 

They came, they queued, they pitched.

With pitches and first pages of novels in hand, Elaine and Francesca travelled up to London last weekend for this year’s Discovery Day at Foyles bookshop, to speak with agents from Curtis Brown and Conville and Walsh.

IMG_0166 cropped ERElaine: Saturday the 27th February 2016 had arrived. The nerves had suddenly come to the fore. Hundreds of unpublished writers travelled to the Curtis Brown Discovery Day at Foyles Bookshop in London. Everyone of us excited to have the first page of our novels critiqued by one of their agents.

I sat, with paperwork in hand, and spoke to the lovely Sophie Lambert who is an agent with Conville and Walsh Literary Agency. I give my thanks to her because my nerves disappeared and I was able to talk about my Victorian Saga with ease. Sophie showed a great deal of interest in my novel and pointed me in the direction of another agent, Rebecca Ritchie of Curtis Brown, whom she thought would be interested in my genre.

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Queueing!

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A glimpse into the pitching room.

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Were they trying to tell us something?

IMG_0780Francesca: I must admit, I wasn’t as nervous this year, maybe because I knew the agents weren’t there to snap people up but to give sound advice. I was lucky to land Clare Conville of Conville and Walsh. Although not representing my genre, she had some good suggestions about what to add to the opening. She also said it was ‘sharp and funny’, which was encouraging. She gave me the name of two agents from Curtis Brown, so I’m storing those up for when I’ve finished the novel.

After the one-to-one, we were sent in groups for the surgery session. Here we had an opportunity to ask any questions about writing, submitting and publishing. 

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Claire, on the stairs ahead of us.

Rosemary, pitch in hand.

Rosemary, pitch in hand.

Elaine: At the end of the pitching and surgery sessions, Francesca and I, along with our writing friends, Rosemary Goodacre and Claire Verillo, stayed for the panel talk. This was chaired by Anna Davis.  Also on the panel were Emma Healey, author of Elizabeth is Missing, Karolina Sutton, Emma’s Curtis Brown agent, and Venetia Butterfield, from Emma’s publishing company, Viking. Anna informed us that the agents had spoken to over seven hundred writers, which is a staggering figure.

The panel discussion was mainly about how everyone has to pitch to sell the novel, from the author, agent and the buyer of the publishing company, who then has to try and sell it to the Sales Team and the Marketing Department. They also talked about what attracts them to a novel. The answer can probably be broken down into three words; Emotion, Characters, and Plot, but not necessarily in that order.

All relieved now it's all over. Surgery session in the background.

Relieved it’s all over. Surgery session in the background.

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Giovanna, asking which queue she should join for YA.

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Anna Davis, MD of Curtis Brown Creative, introducing the speakers.

Francesca: I think the location within the store and the queueing system worked a lot better this year (Foyles has been refurbished since we were there last). We didn’t have to wait around for so long and there was a cafe to hang out in until your time slot arrived.

I understand the experience of those pitching Young Adult novels wasn’t quite as smooth. My daughter, Giovanna Burgess, was there to pitch a YA fantasy and her queue did move a lot slower. To speed it up, some of the writers ended up seeing non YA agents and even an agency reader. Despite this, Giovanna was more than happy with the advice she received.

 

It’s pretty safe to say we all had a good day and it is definitely something we would recommend. The opportunity to meet with agents and get feedback on your first page is priceless.

Were you there? What was your experience?

Twitter: @RobertsElaine11            @FCapaldiBurgess