I’ll Be a Sunbeam

Francesca reveals the inspiration behind her newsletter giveaway story, I’ll Be a Sunbeam

This month, if you sign up for my newsletter (details at the bottom of the post), there’s a special treat in the form of an exclusive story, set in the same area and era as the Valleys novels.

I wrote the story around the same time that I was writing Heartbreak in the Valleys, as a tribute to my great grandmother, Mary Jones.

Gran, my mum and me on my first birthday

Mary, the real one, was living in a mining village during the First World War (Abertysswg, the village my setting of Dorcalon is based on), as is Mary Jones in the story. Gran (as we called her) was married to Percy (or Pa, as we all called him) like Mary, but unlike my heroine, already had four children by that time, including my grandma, Charlotte, who was born in 1914. And she’d go on to have three

As those who’ve read War in the Valleys might know, I dedicated the book to Mary Jones, who also appears as a minor character in those books (she gets around!). I wonder what she would have thought of that. I do recall Gran having a book on her shelf called Mary Jones, which was a true story of a Welsh girl who wanted her own Bible. I guess it is a common name!

As the dedication reveals, times were hard for Gran, as they were for many people a hundred years ago. For a start, she lost three of her close female relations to tuberculosis (or consumption, as it was often referred to then). Her mother was only forty-two when she died of TB in 1891. Gran was two years old

In 1899, Gran lost her older sister, sixteen year old Charlotte Ann. In 1935, Gran’s oldest daughter, Clarice, also succumbed to TB, after giving birth to her second child, Maureen (who died a month later). Gran’s younger daughter, my grandma, also contracted TB in the early ‘fifties, but survived.

Walking in the woods

Child deaths were rife in the early part of the twentieth century. The 1911 census lists how many children were born to a family ‘alive’ and how many had since died. It reveals just how many didn’t make it past childhood. Mary, sadly, did not escape this fate and lost her 6th child, Davy, in 1922, when he was only two years old. My mother believed it was from pneumonia.

Then there was World War Two. The family moved to Lancing in the 1930s, in order to escape the mines and find a better life. There’s a sad irony here, as, had they remained in Abertysswg, her four surviving sons would probably have been in a reserved occupation and not conscripted. Only two of them came back. Cyril went down with HMS Fidelity in 1943, aged twenty-three. Tommy was also killed that year, in Sicily, aged thirty-four.

With Gran and Mum on a walk in the country

By the end of the war, at the age of only fifty-six, Gran had lost four of her seven children.

I came along twelve years later. Gran was only sixty-eight at that time, and, as she lived until the ripe old age of ninety-seven, I was privileged to know my great grandmother for twenty-nine years. My grandma (her daughter) emigrated to Australia in 1958, and my nonna passed away in 1960. My paternal grandfather was killed in 1915 and my maternal one died in 1945. After Pa passed in 1963, she was the only grandparent close by, so I’m grateful that she was in my life for such a long time.

As a child I’d regularly go with my parents to visit her in Lancing, eleven miles away. I loved sitting in her ‘kitchen’ (a sitting/room diner to us today). Her Victorian terraced house was set up as it would have been in the similar house she’d had in Wales. She referred to the kitchen as the ‘scullery’, even though it now had the cooker in it, which would have been a range in the ‘kitchen’ previously. The ‘front room’ was never used, and simply housed a chest of drawers and photographs. I think maybe, when they first moved, various members of the family slept there.

Gran at 94, holding her great great granddaughter!

And what of the song, ‘I’ll Be a Sunbeam’ (also known as ‘Jesus Wants Me for a Sunbeam’)? Gran was a Baptist chapel regular, and had been all her life. ‘I’ll Be a Sunbeam’ was a song she taught me as a child. I suppose she must have sung it at chapel. (If you’ve never heard of it, you can listen to it here )

Whenever I hear it, I think of her with sadness and love, and remember how much of a bright spot she was in my life, despite the sadness that had dominated her

She was certainly a sunbeam for me.

To read the exclusive story, I’ll Be a Sunbeam, sign up during June for my newsletter, which will come out each month with my latest news, offers and much more.

Go to https://www.francesca-capaldi.co.uk/ and sign up at the bottom of the page.

Published by Hera Books / Canelo

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Blog post first published on https://www.francesca-capaldi.co.uk/blog

Cover Reveal Day for Trouble in the Valleys

Today is cover reveal day for the latest novel in Francesca’s Wartime in the Valleys series

Today I’m delighted to present the cover and blurb for the latest in the Valleys series, Trouble in the Valleys.

Can Polly finally escape her haunting past?

Spring 1919: WW1 might be over, but the inhabitants of Dorcalon in the Welsh Valleys still feel the pain of the war that took so many of their men.

Polly Smith is trying to survive her own battle at home. Since her abusive husband, Gus, was finally jailed, Polly has been raising her two-year-old son, Herby alone.

But being a single mother isn’t easy, and Polly finds it harder still as Gus’s criminal activities leave her with a bad reputation. Lonely and struggling for money, Polly retreats as she becomes the subject of cruel gossip.

A job offer throws her a lifeline, and as she grows closer to soldier, Henry Austin, it seems that Polly might finally be changing her life – until dark secrets from her past emerge, threatening her new happiness. Can Polly clear her name? Or will the mistakes of the past ruin her future?

Trouble in the Valleys is out on 5th May and ready to pre-order now:

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‘Very Adorable Darlings’ in the First World War

Francesca’s latest Wartime in the Valleys novel, Hope in the Valleys, features Elizabeth Meredith who becomes a VAD nurse on the French war front in the Great War. But what did that entail?

Apparently one nickname for the VAD nurses, working voluntarily in hospitals during the First World War, was ‘Very Adorable Darlings’, obviously using the initials to convey how the soldiers considered them. Although it’s nice to know they were appreciated, I can’t help thinking this undervalues their contribution to the war effort.

So who were the VADs? For a start, it stands for Voluntary Aid Detachment, an organisation created in 1909 with the support of the Red Cross and St John’s Ambulance Brigade, due to a fear that there would be a shortage of nurses to aid the military should there be a war. During the Great War (and Second World War) they were used in both hospitals in the UK and abroad where the soldiers were fighting. These ‘nurses’ were not trained like official nurses, but had taken first aid courses.

It wasn’t uncommon for them to be resented by the qualified nurses who thought it unfair that they should be called ‘nurses’ when they hadn’t done the same training. It didn’t help that the VADs were usually middleclass women, compared to the mainly working-class nurses. Usually they were given the dirtiest and most tedious jobs, like scrubbing, dealing with soiled dressings, emptying bedpans and cleaning up bodily fluids. And also the disposal of limbs. Some did work with nurses who valued their contribution and who trusted them with more complicated jobs.

Some of the books I’ve used to research VADs in the Great War

Those who, like Elizabeth, ended up near the war front in France, must have felt like they’d entered hell. Everything about it would have been harder than working in a hospital back home, where conditions would have been cleaner, not mud encrusted and covered with the detritus of explosions. The hospitals in Britain would largely have been dealing with soldiers who’d already been patched up in some way. It’s hard to imagine what horrors the nurses and VADs abroad encountered when men, often great numbers of them, descended upon a hospital at the front. There are reports of limbs blown off or hanging loose, gaping, festering wounds and skin and bone blown apart by gunshot. And then there were the severe mental health problems labelled at that time as ‘shell shock’, that we now call post-traumatic stress disorder.

The percentage of deaths on the front would have been way higher than anything they’d have encountered at a hospital back in Blighty. Many of the men would have been very young, not even considered adults, some probably small for their age as the underfed working classes often were back then. The VADs would have been reminded of their own fighting brothers, cousins, maybe uncles and fathers and many of their own sweethearts, knowing they faced the possibility of the same fate.

And by the way, the VAD nurses were not paid. The clue is in the word ‘Voluntary’. That’s right, they did it for nothing. Yes, they were mainly middle class and could afford to, but that shouldn’t be a cause to belittle their efforts. Having read many accounts of what they experienced, I can only admire them for their sterling work and dedication under horrific conditions.

A VAD in a ward I’m guessing was back in Britain, as the hospitals on the front tended to be makeshift huts and tents.

Hope in the Valleys

It’s August 1917 and WW1 continues to take a toll. The villagers of Dorcalon, a mining village in the Rhymney Valley, try to keep hope alive; but every day brings fresh tragedy as more of their sons and fathers are killed on foreign battlefields.

Elizabeth Meredith, daughter of mine manager Herbert, enjoys a privileged position in the village, but she longs to break free of society’s expectations.

Falling in love with miner, Gwilym Owen, brings more joy to her life than she’s ever known… until she’s forced to choose between her love and her disapproving family. Seeking an escape, Elizabeth signs up as a VAD nurse and is swiftly sent to help the troops in France, even as her heart breaks at leaving Gwilym behind.

Separated by society and the Great War, can Elizabeth and Gwilym find their way back together again? Or will their love become another casualty of war?

Hope in the Valleys is published by Hera Books and is available here:

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Publication of Hope in the Valleys and News of a Competition

With the publication of Hope in the Valleys today, Francesca is celebrating with a competition in which you can win copies of the various Valleys books and other goodies.

What an exciting day, with Elizabeth’s (and Gwen’s) stories the next to be published in the third episode of the Wartime in the Valleys series.

To celebrate, there’s a chance to win signed books, ebooks and other goodies in a simple to enter competition. The first prize is signed paperbacks of all three books, plus a basket of goodies. Second prize is all three ebooks, with a box of goodies. Third prize is an ebook of Hope in the Valleys, plus a bag of goodies. The items selected are either retro or connected in some way to World War 1.

There are three great prizes to win.

Did you know that ginger nut biscuits, Garibaldi, custard creams, Nice, Bourbons and shortbread were all around a hundred a years ago? So were wine gums, aniseed balls, jelly babies, humbugs, pear drops and chocolate limes, a mixed bag of which has been included in each prize.

And a prize to do with novels set in Wales wouldn’t be complete without a pack of Welsh cakes, would it?

To enter the competition, head over to my Facebook page and either like or follow it. Then go to the post headed *Competition Time* and answer the simple question there in the comments.

Easy! Good luck / Pob lwc!

ENTER THE COMPETITION HERE: https://www.facebook.com/FrancescaCapaldiAuthor

Will Elizabeth choose love over duty?

It’s August 1917 and WW1 continues to take a toll. The villagers of Dorcalon, a mining village in the Rhymney Valley, try to keep hope alive; but every day brings fresh tragedy as more of their sons and fathers are killed on foreign battlefields.

Elizabeth Meredith, daughter of mine manager Herbert, enjoys a privileged position in the village, but she longs to break free of society’s expectations.

Falling in love with miner, Gwilym Owen, brings more joy to her life than she’s ever known… until she’s forced to choose between her love and her disapproving family. Seeking an escape, Elizabeth signs up as a VAD nurse and is swiftly sent to help the troops in France, even as her heart breaks at leaving Gwilym behind.

Separated by society and the Great War, can Elizabeth and Gwilym find their way back together again? Or will their love become another casualty of war?

Available here:

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Good Afternoon, Good Evening and Good Night!

Francesca explains the Welsh expressions used in her Wartime in the Valleys books

Someone asked me a while ago about the Welsh phrases used in the Wartime in the Valleys series. Although it’s implied that my characters are speaking Welsh much of the time, as many would have in the Valleys a hundred odd years ago, I’ve been careful to use only a few expressions, to add a flavour of the area.

I think some people have struggled with these expressions so, as the third in the Valleys series is going to be published in a week, I thought I’d write a blog post including all the phrases used and their translations. I’ve been through all four books (as there’s another, Trouble in the Valleys, due out in the spring), so hopefully have found them all.

I’m not a Welsh speaker myself, as my Welsh mother wasn’t either, only speaking a few phrases, but I’ve been endeavouring to learn some on Duo Lingo. Whether I’ll ever feel proficient enough to talk to a native seems currently unlikely. Unless it’s to say ‘Bore da,’ to my Welsh speaking friend Angela Johnson (author of another novel set in Wales, Arianwen) as we meet for a coffee. It’s been an interesting experience, learning the language of my past ‘fathers’. I think my mum would have enjoyed the opportunity to have a go at Duo Lingo too, if such a thing had been around in her time.

My favourite Welsh phrase of my mother’s? Ych y fi! You have to hear it said to appreciate how much it evokes what it means, which is Ugh! But to give you an idea, it’s something like ‘uh-ch ah vee‘, where the ch is a guttural sound at the back of the throat.

As Truman Burbank (sort of) said in The Truman Show , ‘Bore da, and in case I don’t see ya, prynhawn da, noswaith dda a nos da!’

Bore da                     Good morning
Prynhawn daGood afternoon
Noswaith ddaGood evening
Nos daGood night
Hwyl fawrGoodbye
Diolch yn fawrThank you very much
  
Nadolig LlawenMerry Christmas
Siôn CornFather Christmas
  
Bach (m) / fach (f)An endearment (literally ‘little’)
CariadAn endearment (meaning ‘love’ / ‘sweetheart’
MamguGrandma
  
Ych y fi!Ugh!
O Duw!Oh God!
Diolch i Dduw!Thank God!
  
Y NewyddionThe News
Gymanfa ganuA singing festival
EisteddfodA competition including poetry and music
  
Songs: 
‘Y Delyn Aur’‘The Golden Harp’
‘Dawel Nos’              ‘Silent Night’
‘Calon Lân’               ‘A Pure Heart’
‘Ar Hyd y Nos’          ‘All Through the Night’
‘Suo Gân’                  ‘Lullaby’

Hope in the Valleys is out on 20th January, currently available as an e-book and paperback, and can be pre-ordered from these outlets:

Link to Amazon in all countries: author.to/FrancescaCapaldiAuthor

Kobo:

UK bit.ly/3uVQ8u2

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Aus https://bit.ly/3ywSQZz

NZ https://bit.ly/34b6ljJ

US https://bit.ly/3nTUjor

Apple UK: https://apple.co/3cqsH5O

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WH Smiths: https://bit.ly/34CHbxN

A Chance to Win Signed Copies of Heartbreak in the Valleys and War in the Valleys

It’s the first anniversary of the publication of War in the Valleys, and Francesca explains how you can win a signed copy of it, along with Heartbreak in the Valleys.

I can’t believe it’s been a whole year since the publication of War in the Valleys, the second instalment of the Wartime in the Valleys saga series, set in Wales in the First World War.

To celebrate, I’m holding a competition to win signed copies of this novel, along with the first in the series, Heartbreak in the Valleys. Although all stand-alones as well as a series, this is a good opportunity to catch up with the stories before the third book, Hope in the Valleys, is released in January.

All you have to do is click on my Facebook author page and either like or follow it, then answer a simple question in the post pinned at the top of the page.

Pob lwc! / Good luck!

Announcement: A Third Book in the Valleys’ Series Coming Soon

Francesca is pleased to announce the imminent arrival of a third book in the Wartime in the Valleys series, called Hope in the Valleys, which will be published on January 20th next year.

It’s been a year since the last Valleys’ book, War in the Valleys, was published, so it’s with great excitement that I can announce the publication of Hope in the Valleys in January, by Hera Books/Canelo. There’s also a fourth book in the pipeline, Trouble in the Valleys, but more on that in the coming months.

Hope in the Valleys opens in August 1917, and this time follows the fortunes of both the mine manager’s daughter, Elizabeth Meredith, and miner’s daughter, Gwen Austin. From seemingly opposite ends of the village’s social order, both suffer from the misfortunes of the continuing war. When disaster strikes Gwen, what will her future hold? And when Elizabeth is faced with a choice, will she choose love or duty?

The hub of the action takes place, as in the previous two books, in the fictional mining village of Dorcalon (based on Abertysswg in the Rhymney Valley), though the reader is also taken for a while into the action in France. And for those wondering what fate has befallen the characters from Heartbreak in the Valleys and War in the Valleys, there is also a glimpse at how their lives are progressing.

Hope in the Valleys is available to pre-order now, in either paperback or as an ebook (though there’s also talk of audio and large print at some point). And if you’re a book blogger or reviewer, you can request it from NetGalley.

Meanwhile, if you haven’t caught up with what’s been going on in Dorcalon so far, Heartbreak in the Valleys and War in the Valleys are available in paperback, ebook and audio. Or return tomorrow to see how you could be in with a chance of winning signed copies.

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All in a Day’s Work

Francesca has a look at all the different topics she might end up researching during one day’s writing, for her historical novels set in World War 1 Wales.

It occurred to me recently, as I was writing the fourth novel for my Valleys series, that it’s amazing what diverse topics you can find yourself researching in just one day.

For instance, if I want a character to go out on a trip outside of the village, there are a few things to find out. Although my village of Dorcalon is imaginary (albeit heavily based on Abertysswg, in the Rhymney Valley), all of the towns and villages around it that I mention, are real. My characters have visited Rhymney, Tredegar, Bargoed, Cardiff, Monmouth, Barry Island and even a couple of places in London.

‘Dorcalon’ (Abertysswg) today. The mine was in the area where the rugby post is.

Under normal circumstances, it would be easy enough to go onto Google maps and have a look around the streets to see what a town looks like, and what kind of shops it has. I could look up train journey times on Network Rail journey planner.

The times they are a-changing

But of course, none of these would give me an accurate picture of what was in the towns, or how to get to them, in, say, 1918. I’ve managed to find train line routes at this time on Wikipedia, so know, by comparing them to today’s rail maps, that many of the stations, and branch lines, no longer exist. Then it’s a case of making a rough estimation of how long the journey might have taken. Rhymney to Cardiff, for instance, had about ten fewer stations.

If I want my character to walk down Castle Street in Cardiff, there’s no point at looking at a photographic map of the street today. Luckily, with most of the towns I’ve mentioned, I’ve found lots of photographs of the time, in books and online. Cardiff, I discovered, had a tram system, and the shops had wonderful canopies, the likes of which we never see nowadays.

A bit of local colour

As for the shops themselves, not always obvious on photographs, there are the marvellous Kelly’s Directories, and also local papers of the time. I’m particularly blessed where Wales is concerned, as the Library of Wales has the most wonderful catalogue of newspapers online. In fact, the newspapers have furnished me with information on many subjects, including theatre and cinema programmes, court proceedings, café menus and jobs. There’s also the census which, apart from revealing people’s occupations, tells you what names were popular, and the size of families.

Less is More

While all the above is just touching the surface, I only ever end up using a fraction of what I learn while I’m researching. For instance, I mostly don’t need to mention how long a train journey took, but I need to know, so that I don’t have the character leaving early afternoon on what should be an hour’s journey, and arriving late evening! Much of the information used is ‘set dressing’, to give a flavour of the time and the people, not to overwhelm with it.

An example of some of the items I had to research for one scene in Cardiff:

I’ve visited the city many times (my mum was brought up there), and some things are the same, but I had to assume I knew nothing, so, among other queries, I needed to know:

What was the train route? (Direct from Rhymney, as it is today.)

Where was the station? (Queen Street station was where it is today.)

What were the major stores etc Gwen would likely visit?  (Marments, David Morgan’s, and Howell’s department stores and the arcades.)

What fabrics were available to buy in 1918? (Linens, cottons, silks, organzas, chiffons, crepes and even the new artificial rayon.)

What did the market look like back then? (A lot like it does today!)

Was there a well-known café and what did it look like inside? (I could have made one up but finding The Dutch Café on Queen Street meant I could have something authentic.)

What you would have seen walking down Queen Street and Castle Street? (Old shops on Queen Street, not the modern ones of today, the castle, the tram.)

Could you visit the castle? (No. It wasn’t open to the public then.)

Cardiff Castle in the 1960s, taken by my father.

It’s a good job I enjoy research, isn’t it? 🙂

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Welcoming Guest Author Judith Barrow

We welcome Judith Barrow today, talking about her research and settings

Hello Judith, and welcome to the blog. First of all, could we ask what kind of research you do?

Writing historical family sagas necessitates a lot of research. It’s what I enjoy. It’s fun discovering the fashions of an era, the hairstyles and cosmetics. The toys, the games that occupied the children tell a lot about the times. Mostly I research late nineteenth and early twentieth century when children had less time to play; childhood often ended before the age of twelve, with chores and work to bring in money for the family. I researched the kind of employment given to them, unbelievable in this days and age. And it has made me see how far society has changed when it comes to the houses built: from terraces to high-rise flats to housing estates. And how there are differences in the furniture, the ways people cooked, the food, the way clothes were washed. How life was lived.

The Haworth Trilogy

But of course, there is also the background to those lives, the environments: the state of the towns, the countryside, the country I’m researching. And that’s when politics play a huge part in the lives of the characters that have formed in my mind. Because I mostly write about early twentieth century, I’ve explored the time of two major world wars, of smaller but no less dangerous conflicts between maybe two or three countries, of internal strife in Britain, in Ireland. And, trying to understand the effects on populations, on ordinary people, I read as many memoirs I can find and, so often, when I read about life in the past, I realise that little has changed in the human psyche. Emotions don’t change; we react to situations, to others’ actions, in much the same way now as they did in the past, depending on our own personalities. On our own memories.

Often these memoirs are the hardest to read. It’s difficult not to feel, to empathise with the emotions of the women who fought and suffered for the right to vote, the soldiers in the trenches and battlefields, the women left behind to worry, to fill in the gaps in the workplace and to run a home, with the despair of unemployment and despair. But then there are also the success stories, of overcoming all the odds, of adventures, of peace and fulfilment to lift the spirits.

Tell us about your settings and why you chose them?

My books are mostly set between a fictional Yorkshire town and a fictional place in Wales because I feel the closest affinity to both areas. I grew up in a village on the edge of the Pennines and have lived in West Wales for the past forty years.

For me, the settings are a character in themselves.

Glen Mill

The setting which was the inspiration for my earlier work, the Haworth trilogy, was Glen Mill, one of the first POW camp to be opened in Britain. It was a disused cotton mill, built in 1903, that ceased production in 1938. At a time when all-purpose built camps were being used by the armed forces and there was no money available for POW build, Glen Mill was chosen for various reasons: it wasn’t near any military installations or seaports and it was far from the south and east of Britain, it was large and it was enclosed by a railway, a road and two mill reservoirs.

The earliest occupants were German merchant seamen caught in Allied ports at the outbreak of war. Within months Russian volunteers who had been captured fighting for the Germans in France were brought there as well. According to records they were badly behaved and ill-disciplined. So there were lots of fights. But, when German paratroopers (a branch of the Luftwaffe) arrived they imposed a Nazi-type regime within the camp and controlled the Russians. Later in the war the prisoners elected a Lagerführer; a camp leader who ruled the inner workings of the camp and the camp commanders had to deal with them.

Prequel to the Howarth series

The more I read about Glen Mill the more I thought about the total bleakness of it and the lives of the men there.  And I knew I wanted to write about that. But I also wanted there to be hope, to imagine that something good could have come out of their situation.

Which is why I introduced Mary Haworth, the protagonist of the trilogy. All POW camps had to house a hospital to care for the prisoners. Mary is a civilian nurse. I was originally informed that only Alexandra nurses could work in the hospitals but, through research, I discovered that there was one civilian nurse, so I decided there could be another: Mary. Haworth.

Thank you for dropping by, Judith, and the best of luck with all your books

Judith’s latest book is The Memory

Mother and daughter tied together by shame and secrecy, love and hate.

I wait by the bed. I move into her line of vision and it’s as though we’re watching one another, my mother and me; two women – trapped.

Today has been a long time coming. Irene sits at her mother’s side waiting for the right moment, for the point at which she will know she is doing the right thing by Rose.

Rose was Irene’s little sister, an unwanted embarrassment to their mother Lilian but a treasure to Irene. Rose died thirty years ago, when she was eight, and nobody has talked about the circumstances of her death since. But Irene knows what she saw. Over the course of 24 hours their moving and tragic story is revealed – a story of love and duty, betrayal and loss – as Irene rediscovers the past and finds hope for the future.

Buying links etc:

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Amazon.com 

Honno  

Goodreads 

BookBub  

NetGalley 

About Judith Barrow

Although I was born and brought up in a small village on the edge of the Pennine moors in Yorkshire, England. for the last forty years I’ve lived with my husband and family near the coast in Pembrokeshire, West Wales, UK, a gloriously beautiful place. I’ve written all my life and have had short stories, poems, plays, reviews and articles published throughout the British Isles. I had the first of my trilogy, Pattern of Shadows, published in 2010, the sequel, Changing Patterns, in 2013 and the last, Living in the Shadows in 2015. The prequel, A Hundred Tiny Threads was published in  2017. The Memory was published in March 2020. My next book, The Heart Stone is due to be published in February 2021.  I have an MA in Creative Writing, B.A. (Hons.) in Literature, and a Diploma in Drama and Script Writing. I work as an interviewer of authors for an online TV company; Showboat tv. I am also a Creative Writing tutor for Pembrokeshire County Council’s Lifelong Learning Programme and give talks and run private workshops on all genres.

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Green, Green Grass Of Home…

Francesca and Elaine are thrilled to bits to welcome Angela Johnson to our blog to talk about her debut novel, Arianwen.

ARIANWEN is set in my native West Wales, a place of gentle hills and valleys and a beautiful coastline, which is an integral part of my mental landscape. We are formed by the experiences of childhood, and the music of the language and the stories I heard in a small, and not very private, community were all relevant in the formation of my story.

The novel roams over the old kingdom of Dyfed: Ceredigion, North Pembrokeshire, and Carmarthenshire. My protagonist, Arianwen, grew up in a woollen mill set in a deep valley, which is based on a  real place I knew and visited as a child, a place of tall trees and the persistent sound of running water, and, a recurring motif in the novel, the wheel turning in the power of the water, a strange creaking whirr which remains with me still.

For a child it was a most magical place to visit, and even now, many years after, I can smell the dankness from the stream, hear its silver music, and see the trees, verdant in spring, and their strange balletic movements in autumn storms. The old mill creaked as you walked through it, but there was nothing Gothically terrifying about it. For me it was a place of benedictions.

Arianwen’s adult life is in another village, whose topography is very different from that of her home, a place of  wide spaces, closer to the sea, and more open to the weather than the enclosed valley of her childhood, a place of bleating lambs in spring and heather and gorse in late summer.

I am Welsh speaking and the rhythms of the language form the person that I am, even though I spent many years working as an English teacher in the Home Counties.

Most of the novel is set at a time when Welsh was the main language of the neighbourhoods I portray. The villages are much changed, prettified, less Welsh, less rural in character. Something has been irretrievably lost.

I chose this setting because I wanted to write for the first time at any length, about the places and the people who moulded me, my work, mainly, being set in England where I have lived most of my life.

It is also a tribute to all those agricultural workers on both sides of my family whose lives were hard and unrelenting and whose love of their few acres destroyed them.

Alas, I don’t have a favourite writing place. My writing place is a place of compromise and pragmatism. My computer and I, occupy a dull corner of my dining room while my husband occupies a rather pleasant, if chaotic study overlooking the garden. I stare at a blank wall and one solitary picture of a Lady’s Slipper Orchid. There is no obvious symbolism to the Lady’s Slipper, although if I think about it long enough I shall find one.

I am easily distracted, so there is no radio, no music, only in the background the vapid hum of suburbia. This place is blank, the pale green wall, the light comes from the window to my left. It is a writing place, which suits me well.

I’m a great believer in sustenance for writers, yes, food and drink helps, especially the odd glass of chilled Sauvignon, but we also need sustenance for the mind, and that means getting away from the computer and living a life. I like going out for coffee with friends, a bit of gossip, and, on my own, a rewarding listen to others’ conversation. Even the banal can be fascinating.

Before lockdown, I used to enjoy swimming, the most solitary of occupations, meditative, stimulating, and the perfect exercise for thinking about narrative development and character delineation.

I like walking and looking, observation is fundamental for the writer, simple things like the shape and colour of a leaf, the sheen on a horse’s back, and the silly hopping of a crow, and just this week, I passed a decrepit cottage with weeds growing out of the chimney, bit clichéd, but, outside was parked an ancient car which had once been red, and is now completely overgrown with rampant vegetation. Such possibilities there.

I love travelling to exotic countries. I have watched birds all over the world, and in this country on winter days on the North Kent marshes, huge flocks of lapwings and marsh harriers low over the banks of the Thames, and in the summer I enjoy looking for wild orchids with my in house orchid expert and love to see the strange beauty of these small flowers. And I love reading the papers, one particular one, but I won’t divulge which one.

The book I’m working on now is a return to West Wales, this time to my beloved Ceredigion and its lovely coastline of small coves and cliffs, and one particular one which I have always loved, a small beach overlooked by a tall cliff and a tiny ancient white church, a place where peregrines fly and choughs hop around the car park.

My protagonist lives near here, and she is a very different character from Arianwen, a professional woman, not this time a teacher, a woman who has never conformed, who looks at the world as a battle place and challenges it.

Her life has always focused on independence, on doing exactly what she wants to do, but gradually she is drawn by the various characters who impinge on her life with their various need, into a different kind of caring from that which was demanded of her in her professional life.

Thank you for chatting to us Angela. it’s lovely to get an insight into your novel.

Arianwen

Born in a hidden valley in West Wales during the first half of the 20th century, Arianwen is one of the blessed to whom life comes easily. Hers is an ordinary life, similar to the lives we all live, filled with the small pleasures that help us bear life’s tragedies, in the hope that things will get better again.

But, in a fast changing world, Arianwen must learn the hard way. It is endurance that will see her through real adversity.

Elegantly written, with an understated humour, and a lyricism that reflects the natural rhythms of the Welsh language, Arianwen is a captivating portrait of one woman who represents us all.

Published by Black Bee Books and available on:

Amazon

Waterstones

About Angela Johnson

Angela Johnson was born in West Wales and is a Welsh speaker. Her work is often inspired by the Welsh countryside, the characters she knew in childhood and the tales they told.

In a previous incarnation she was an English teacher, and taught in a number of schools in the South East of England. She then studied creative writing at the University of Kent. Her novel Harriet and her Women was shortlisted for the Impress Prize for Fiction, and she has won the Poetry Prize at the Folkestone Arts Festival.

She lives in Kent, enjoys travelling to look at birds and plants in exotic places, and is a passionate environmentalist, and, latterly, is spending too much time fulminating about politics.

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