Inside Job

Francesca takes a look at the different jobs that would have been carried out at the Beach Hotel in the 1910s

One of the first things I did before beginning my latest novel, A New Start at the Beach Hotel, was to have a look at the hotel’s entry in the 1911 census for Littlehampton. The novel starts in 1914, only three years later, so gives a good idea of the jobs done by the live-in staff.

My novel is largely fictional when it comes to the lives and loves of those working, or staying, at the hotel, as I’ve found little else about what went on there at that time, but I do try to be as realistic as I can nonetheless.

The back of the Beach Hotel in 1915

We find, first of all, that there’s of course a manager, an Arthur Gascoigne. I hope he wasn’t as snobby and unpleasant as Douglas Bygrove is in my novel!

On the census, there’s a housekeeper in her thirties. In the novel, the housekeeper is Mrs Leggett, somewhere in her forties, and rather stern. The duties of the housekeeper were to be in charge of the welfare of the various maids, to be responsible for hotel supplies needed and for settling those bills. She was often involved in hiring the various maids. She set out the pattern of work and rotas for each season, and was responsible for interior decoration. She often had a wide field of knowledge that included making remedies and basic first aid. Housekeepers were given the title of ‘Mrs’ whether they were married or spinsters.

The storekeeper on the census was a lady in her late thirties. In New Start, she’s a widow in her late fifties called Mrs Turnbull, from Tyneside (named after my late grandmother-in-law). Her duties would have included monitoring food and beverage levels, keeping an inventory and ordering stock when needed. She would have been responsible for the storage of items and the hygiene of said storage.

There was of course, a bookkeeper who would have kept on top of the accounts. We don’t get to see much of Ada Saltmarsh in the novel, as she’s a live-out, though the one at the real Beach Hotel did actually live in.

The post that intrigued me was that of nurse and midwife. I wonder how often she would have been needed, and what she did in between. Miss Bolton, in the novel, is certainly required on few occasions (so far!).

The back of Beach Crescent today, where the hotel stood

There are four types of maids recorded on the census entry: chambermaid, housemaid, staff maid and stillroom maid.

The chambermaids in the book (Gertie Green, Fanny Bullen, Lili Probert and Edie Moore, the main character) clean, tidy and polish the guest rooms, as well as making the beds. The housemaids in the hotel would have been responsible for cleaning of the rest of the rooms, those downstairs like the dining room and foyer. What a staff maid did I haven’t been able to find out. Cleaned the staff’s own rooms, perhaps?

The stillroom maid is Hetty Affleck, with Phoebe Sweeton as her next in charge. They would have made jams and pickles, preserved fruit in alcohol and produced various cordials, juices and squashes.

There’s also a barmaid recorded, two porters, a cook and a waiter. I’m assuming there were more of each than this, but I’m guessing they lived out. There is no record of scullery maids (Alice and Annie Twine in New Start), but I’ve no doubt the hotel would have had them. Helen Bygrove also has a nursemaid for her children, so she can help in the hotel.

Further down on the census, on a road called Norfolk Place, we’re informed that the hotel has a garage, run by an electrical and general engineer, who also lives there with his family. In the novels so far, the garage is only a place to store guests’ car. Next door, also part of the garage, lives the gardener (Mr Hargreaves in the novel – named after Jack Hargreaves, who used to present Out of Town on Southern Television, for anyone who remembers that!).

A map of the area from 1910. The tennis ground opposite belonged to the hotel. Norfolk Place, where the hotel garage stood, is on the right, towards the top.
Reproduced with the permission of the National Library of Scotland

The staff are mostly not local, but have come from far and wide: London, Newport, Cromer, Gloucestershire, Devon, Dorset, Eastbourne, Wiltshire and Cork. There’s even a waiter from Germany, the inspiration for my waiter, Günther Schultz. It would be interesting to find out whether Fritz Hallmein, as he was called, suffered the same fate as Günther did in 1914.

At the time the 1911 census was taken (April 2nd), there were eighteen members of staff recorded on the census, yet only fourteen guests. Hopefully they would have been a bit busier a couple of weeks later, at Easter, otherwise I can’t see how the hotel would have survived into the 1980s, as it did!

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Welcome to #RomanceReadingMonth

Francesca is looking forward to the publication of the first Beach Hotel novel during both #RomanceReadingMonth and the #RespectRomFic campaign.

As a romance writer, I belong to the Romantic Novelists Association (RNA), which is currently heavily involved in #RomanceReadingMonth, and in the #RespectRomFic campaign.

It’s a sad truth that the romance market never gets the respect that other fiction genres are given, such as crime, historical and literary. It’s almost certainly down to it being considered a ‘woman’s’ genre, even though a lot of men do read them too. Sad, isn’t it?

The fact is, it’s the second biggest selling genre in books! That’s just counting the ones that are placed in the romance category. If you take other books that have romance in them, but have been placed under other categories, then it would be the biggest selling genre. And of course, most ‘romance’ books aren’t only about love, they also come under other categories such as historical, saga, crime, mystery, comedy, YA, action, scifi, fantasy… etc!

If you’re on Twitter, Instagram, Tiktok or Facebook, you’re likely to see these two hashtags and the image at the top. Do feel free to like and share these tweet/posts, and let’s see if we can get romance books the respect they deserve.

The RNA had a FREE mini virtual lit fest on YouTube on Valentine’s Day, with panels of romance writers and also publishers talking about different aspects of romance and the publishing industry. Most of them are available for anyone to watch, so if you fancy a listen, here are the links:

Respect RomFic

What Publishers/Editors want

The Key to Writing Bestselling Romance

Research and Writing Hist Fic

Editing Session with Hayley Milliman (ProWritingAid)

I’m really delighted that A New Start at the Beach Hotel is being released in #RomanceReadingMonth, and I really hope that readers enjoy the romance between my main character, Edie, and the man she falls in love with. Of course, it’s never plain sailing, but then that would be a bit boring in a story, wouldn’t it? Apart from being a romance, it also comes under saga and historical. As much work went into the research of it as any other historical novel. And knowing a lot of saga/historical writers as I do, I know they’d all say the same!

Published by Hera Books / Canelo

Happy reading in #RomanceReadingMonth!

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New Series: The Beach Hotel

Francesca is thrilled to be able to introduce her new saga series, set at the seaside.

Welcome to my new ‘Beach Hotel’ series, set on the Sussex coast in Littlehampton in the First World War.

It’s not the first time I’ve used Littlehampton as a setting in a book. My People’s Friend pocket novel, Desperately Seeking Doreen, published in 2020, was set by the sea here, though this time in 1972. I also have a contemporary novel set there, that hasn’t yet seen the light of day!

So why Littlehampton particularly, when I live in Kent? It’s quite simple really: I was brought up there.

When we moved from Worthing in 1961, the Beach Hotel still sat magnificently on the large green common, between the promenade and the grand Regency and Victorian structures of South Terrace. It had first been built in the late 1700s as the Beach Coffee House, but was replaced in the late 1880s by a large, brick Victorian edifice. It finally closed in the late 1980s and was pulled down in 1994.

I never ever stepped inside the Beach Hotel. I suppose, it seemed out of reach to me as a child and teenager. My staff characters and the interior settings inside are based partly on a 1996 interview with the people who owned it between 1951 and 1979, the 1911 census, other similar hotels, and guesswork from the outside appearance. The rest is imagination.

It was certainly fun creating the interior settings, the characters and their stories, and I hope you’ll enjoy them too.

A New Start at the Beach Hotel

Can Edie find the courage to choose her own future?

June 1914. Edie Moore is a Governess for Lord and Lady Moreland, living in comfort at the grand Downland House in Sussex. But, wanting more from life, she flees in secret to Littlehampton, the place where she spent many idyllic childhood holidays.

Desperate for work, Edie begins working as a chambermaid at the prestigious Beach Hotel, even if the menial tasks are a far cry from her previous job.

While the days are long and gruelling, Edie works hard and soon is in favour with Helen Bygrove, the manager’s wife, who sees that Edie is destined for bigger things – which leads to tension with some of the other chambermaids.

But as she navigates her new life and finds friendship with fellow maid Lili Probert, she also grows closer to charming, cheerful porter, Charlie Cobbett, and finally finds the happiness she has been searching for.

However, what none of her new friends know is that Edie is hiding a secret from her past, one that would change the way they view her, forever. When the truth comes out, will Edie be able to keep her new life and remain in the place she loves so much?

Published by Hera Books / Canelo

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I’ll Be a Sunbeam

Francesca reveals the inspiration behind her newsletter giveaway story, I’ll Be a Sunbeam

This month, if you sign up for my newsletter (details at the bottom of the post), there’s a special treat in the form of an exclusive story, set in the same area and era as the Valleys novels.

I wrote the story around the same time that I was writing Heartbreak in the Valleys, as a tribute to my great grandmother, Mary Jones.

Gran, my mum and me on my first birthday

Mary, the real one, was living in a mining village during the First World War (Abertysswg, the village my setting of Dorcalon is based on), as is Mary Jones in the story. Gran (as we called her) was married to Percy (or Pa, as we all called him) like Mary, but unlike my heroine, already had four children by that time, including my grandma, Charlotte, who was born in 1914. And she’d go on to have three

As those who’ve read War in the Valleys might know, I dedicated the book to Mary Jones, who also appears as a minor character in those books (she gets around!). I wonder what she would have thought of that. I do recall Gran having a book on her shelf called Mary Jones, which was a true story of a Welsh girl who wanted her own Bible. I guess it is a common name!

As the dedication reveals, times were hard for Gran, as they were for many people a hundred years ago. For a start, she lost three of her close female relations to tuberculosis (or consumption, as it was often referred to then). Her mother was only forty-two when she died of TB in 1891. Gran was two years old

In 1899, Gran lost her older sister, sixteen year old Charlotte Ann. In 1935, Gran’s oldest daughter, Clarice, also succumbed to TB, after giving birth to her second child, Maureen (who died a month later). Gran’s younger daughter, my grandma, also contracted TB in the early ‘fifties, but survived.

Walking in the woods

Child deaths were rife in the early part of the twentieth century. The 1911 census lists how many children were born to a family ‘alive’ and how many had since died. It reveals just how many didn’t make it past childhood. Mary, sadly, did not escape this fate and lost her 6th child, Davy, in 1922, when he was only two years old. My mother believed it was from pneumonia.

Then there was World War Two. The family moved to Lancing in the 1930s, in order to escape the mines and find a better life. There’s a sad irony here, as, had they remained in Abertysswg, her four surviving sons would probably have been in a reserved occupation and not conscripted. Only two of them came back. Cyril went down with HMS Fidelity in 1943, aged twenty-three. Tommy was also killed that year, in Sicily, aged thirty-four.

With Gran and Mum on a walk in the country

By the end of the war, at the age of only fifty-six, Gran had lost four of her seven children.

I came along twelve years later. Gran was only sixty-eight at that time, and, as she lived until the ripe old age of ninety-seven, I was privileged to know my great grandmother for twenty-nine years. My grandma (her daughter) emigrated to Australia in 1958, and my nonna passed away in 1960. My paternal grandfather was killed in 1915 and my maternal one died in 1945. After Pa passed in 1963, she was the only grandparent close by, so I’m grateful that she was in my life for such a long time.

As a child I’d regularly go with my parents to visit her in Lancing, eleven miles away. I loved sitting in her ‘kitchen’ (a sitting/room diner to us today). Her Victorian terraced house was set up as it would have been in the similar house she’d had in Wales. She referred to the kitchen as the ‘scullery’, even though it now had the cooker in it, which would have been a range in the ‘kitchen’ previously. The ‘front room’ was never used, and simply housed a chest of drawers and photographs. I think maybe, when they first moved, various members of the family slept there.

Gran at 94, holding her great great granddaughter!

And what of the song, ‘I’ll Be a Sunbeam’ (also known as ‘Jesus Wants Me for a Sunbeam’)? Gran was a Baptist chapel regular, and had been all her life. ‘I’ll Be a Sunbeam’ was a song she taught me as a child. I suppose she must have sung it at chapel. (If you’ve never heard of it, you can listen to it here )

Whenever I hear it, I think of her with sadness and love, and remember how much of a bright spot she was in my life, despite the sadness that had dominated her

She was certainly a sunbeam for me.

To read the exclusive story, I’ll Be a Sunbeam, sign up during June for my newsletter, which will come out each month with my latest news, offers and much more.

Go to https://www.francesca-capaldi.co.uk/ and sign up at the bottom of the page.

Published by Hera Books / Canelo

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Blog post first published on https://www.francesca-capaldi.co.uk/blog

Book Highlight: The Woolworths Saturday Girls, by Elaine Everest

We’re always happy to see a new novel out by our friend and fellow saga writer, Elaine Everest, and today we’re delighted to feature the latest in the Woolworths series, The Woolworths Saturday Girls.

1950. The Second World War is over and life has moved on for the Woolworth girls, Sarah, Maisie and Freda. In a new world the Woolworth women have high expectations of their daughters, wanting them to seize opportunities they didn’t have themselves. Ready to take on Saturday jobs at Woolworths, budding friends Bessie, Claudette, Clementine and Dorothy are faced with unforeseeable challenges as the real world comes into focus. Their bond can only be strengthened as they overcome the darkest times. Perhaps their lives are not as clear-cut as their mothers wished them to be . . .

When Bessie finds love in the wrong crowd and falls pregnant, the image of her future and ambitions become skewed and she relies on the Saturday girls to help her see her problems through – but how can they find a home for the baby when it arrives? With wild imaginations, it is up to the Woolworth girls, new and old, to save the day and their futures.

Can the Woolworth girls achieve their dreams in time for their futures to begin?

About Elaine:

Elaine Everest is the author of bestselling historical sagas including The Woolworths Girls, The Butlins Girls, Christmas at Woolworths and The Teashop Girls. She was born and raised in North-West Kent, where her much-loved Woolworths series is set, and worked as a Woolworths Saturday Girl herself in the late 1960s/early 1970s.

Elaine has been a freelance writer for 25 years and has written over 100 short stories and serials for the women’s magazine market. She is also the author of a number of popular non-fiction books for dog owners.

When she isn’t writing, Elaine runs The Write Place creative writing school in Hextable, Kent. She now lives in Swanley with her husband, Michael and their Polish Lowland Sheepdog, Henry.

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Welcoming Rachel Brimble with A Very Modern Marriage

Today author Rachel Brimble is popping in to tell us about her latest Victorian saga.

Welcome once again to Write Minds, Rachel. First of all, tell us what inspired you to write A Very Modern Marriage?

This book is the final instalment in the Ladies of Carson Street trilogy so it was inspiration for the whole series rather than this particular book. I read The Five by Hallie Rubenhold which explores the lives of Jack the Ripper’s victims and (although it might sound gruesome reading) it evoked such deep empathy in me. I was completely immersed in how very different these women’s lives were and the circumstances that led to each of them ending up in Whitechapel.

I just had to write a series about three prostitutes in Victorian Bath who come together in the name of survival and, of course, give them the happy ever after they deserve!

What kind of research do you do, and how long do you spend researching before beginning a book?

As a writer of historical fiction, research is obviously hugely important. So much so, that it is often difficult to know when to stop researching and start writing! For the Ladies of Carson Street trilogy, my research mainly focused around the lives of Victorian prostitutes as well as the taverns, gentlemen’s clubs and shops of Victorian London and Bath.

I tend to concentrate on the relationships in my books more than anything else so I would say that the research is used to add colour, flavour and realism to the setting and the adventures my characters become involved in. I tend to read a LOT of fiction and non-fiction of the period as well as visiting our local history centre for pictures and letters etc from the time.

As for the time spent…I’d say probably around a month or so.

Is this book a one-off, or is it part of a series?

A Very Modern Marriage is the final book in the Ladies of Carson Street trilogy and tells Octavia’s story. The series revolves around three women, Louisa, Nancy (whose stories are told in A Widow’s Vow & Trouble For The Leading Lady) and Octavia who live and work together in a brothel in the Victorian city of Bath.

The books are a combination of drama, intrigue and romance with a whole cast of characters, both main and secondary, who interact and add to the fun of what is my favourite series to date!

What do you find the most difficult part of writing process?

Definitely plotting! I am a plotter at heart and could never write a book by ‘the seat of my pants’, BUT that does not mean it makes my writing process any easier. I agonise over characters’ goals, motivations and conflicts, worry that my initial idea won’t stretch to 90,000 words…it never ends!

I am currently writing my 30th novel, by the way…

That’s incredible, Rachel! Finally if you could tell your younger self anything what would it be?

Relax! I still tell myself that now and I’m 47, haha! I am slowly learning to not overthink things or anticipate what ‘might’ happen. I recently signed up for a self-awareness course and it has helped so much with my anxiety and tendency to jump ahead rather than living in the moment.

I already feel happier, more relaxed and enjoying each day for what it is 😊

That’s great to hear, Rachel. Thank you for taking the time to come and visit us once again, and the best of luck with A Very Modern Marriage.

A Very Modern Marriage

He needs a wife…
Manchester industrialist William Rose was a poor lad from the slums who pulled himself up by his bootstraps, but in order to achieve his greatest ambitions he must become the epitome of Victorian respectability: a family man.

She has a plan…
But the only woman who’s caught his eye is sophisticated beauty Octavia Marshall, one of the notorious ladies of Carson Street. Though she was once born to great wealth and privilege, she’s hardly respectable, but she’s determined to invest her hard-earned fortune in Mr Rose’s mills and forge a new life as an entirely proper businesswoman.

They strike a deal that promises them both what they desire the most, but William’s a fool if he thinks Octavia will be a conventional married woman, and she’s very much mistaken if she thinks the lives they once led won’t follow them wherever they go.

In the third instalment of Rachel Brimble’s exciting Victorian saga series, The Ladies of Carson Street will open the doors on a thoroughly modern marriage – and William is about to get a lot more than he bargained for…

BUY HERE

About Rachel

Rachel lives in a small town near Bath, England. She is the author of over 25 published novels including the Ladies of Carson Street trilogy, the Shop Girl series (Aria Fiction) and the Templeton Cove Stories (Harlequin). In January 2022, she signed a contract with the Wild Rose Press for the first book in a brand new series set in past British Royal courts.

Rachel is a member of the Romantic Novelists Association as well as the Historical Novel Society and has thousands of social media followers all over the world.

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In Honour of Rosemary Goodacre

Francesca and Elaine, along with other friends of author Rosemary Goodacre, are running a competition in her name and the proceeds will be going to her favourite charity Spade Work. Meanwhile, we take a trip down memory lane…

With the Rosemary Goodacre Memorial Short Story Competition well on its way, we thought we’d share some photographs of her with us and our fellow friends running the competition: Elaine Everest, Natalie Kleinman, Ann West and Catherine Burrows. They also include our judge Vivien Brown and a lot of Rosemary’s other writing friends from over the years.

There are details of the competition at the end of the post.

Sarah Stephenson, Rosemary and Elaine Roberts at a Romantic Novelists Association Winter Party in 2016

At a daytime writing workshop in 2012. Francesca’s daughter is on Rosemary’s left with Catherine Burrows on her right.

This photo was taken in Oxford prior to the Romantic Novelist’s Association’s Joan Hessayon Award evening in 2018. Rosemary is on the left, then Francesca, Elaine R, Sarah, Elaine Everest and Natalie Kleinman. We had a lovely time and lots of wine was drunk by all.

Fun and larks at the Write Place creative writing class Christmas party in 2012.

The Romantic Novel Awards in 2016 with Natalie, Sarah, Elaine E, Rosemary and Elaine R.

Caerleon Writers’ Holiday 2013: Rosemary, Angela Johnson, Elaine E, Ann West, Natalie and Linda Barrett.

This was taken at the Romantic Novel of the Year Awards evening in 2015. A lovely evening with Rosemary, Vivien Brown, Francesca and Elaine.

The Romantic Novel Awards 2014: Rosemary, Sarah, Elaine R, Natalie, Elaine E, Catherine, Vivien, Francesca and Karen Aldous.

Having a good chat in our kitchen at the Romantic Novelists’ Association Conference in 2019.

Rosemary and Elaine R having a glass of wine, which seems to be a theme in most of our photos!

Rosemary with Elaine E and Francesca at the Romantic Novelist’s Association Conference in Telford 2016. Have you noticed the wine? Who says romantic novelists don’t know how to have a good time.

Dinner at the RNA’s Conference in 2019: Vivien, Rosemary, Sarah, Catherine, Elaine E

RNA Winter Party 2014: Elaine R and Rosemary

In 2018 Rosemary, Viv, Elaine E and Natalie were travelling First Class to Leeds for the RNA conference.

Rosemary and Natalie travelling back from the conference in Leeds. We were all so much quieter coming back and shattered.

This was the gang attending an interesting talk by Tracy Chevalier in London.

IT’S BEEN LOVELY, IF SAD, SHARING GOOD TIMES WITH A GOOD FRIEND WITH OUR READERS

THE ROSEMARY GOODACRE MEMORIAL SHORT STORY COMPETITION

To commemorate the life of saga author Rosemary Goodacre her friends are organising a short story competition with all profits going to her favourite charity Spadework.  

JUDGE: Vivien Brown

About the competition:

1500 words maximum
Theme: Friendship
Each entry costs £7.50

Prizes:

1st £150.00
2nd £100.00
3rd £50.00 

Entries open 1st November 2021
Entries close midnight 31st March 2022

FOR MORE DETAILS OF THE COMPETITION RULES, AND INFORMATION ABOUT SPADEWORK, HEAD OVER TO THE COMPETITION PAGE

Cover Reveal Day for Trouble in the Valleys

Today is cover reveal day for the latest novel in Francesca’s Wartime in the Valleys series

Today I’m delighted to present the cover and blurb for the latest in the Valleys series, Trouble in the Valleys.

Can Polly finally escape her haunting past?

Spring 1919: WW1 might be over, but the inhabitants of Dorcalon in the Welsh Valleys still feel the pain of the war that took so many of their men.

Polly Smith is trying to survive her own battle at home. Since her abusive husband, Gus, was finally jailed, Polly has been raising her two-year-old son, Herby alone.

But being a single mother isn’t easy, and Polly finds it harder still as Gus’s criminal activities leave her with a bad reputation. Lonely and struggling for money, Polly retreats as she becomes the subject of cruel gossip.

A job offer throws her a lifeline, and as she grows closer to soldier, Henry Austin, it seems that Polly might finally be changing her life – until dark secrets from her past emerge, threatening her new happiness. Can Polly clear her name? Or will the mistakes of the past ruin her future?

Trouble in the Valleys is out on 5th May and ready to pre-order now:

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‘Very Adorable Darlings’ in the First World War

Francesca’s latest Wartime in the Valleys novel, Hope in the Valleys, features Elizabeth Meredith who becomes a VAD nurse on the French war front in the Great War. But what did that entail?

Apparently one nickname for the VAD nurses, working voluntarily in hospitals during the First World War, was ‘Very Adorable Darlings’, obviously using the initials to convey how the soldiers considered them. Although it’s nice to know they were appreciated, I can’t help thinking this undervalues their contribution to the war effort.

So who were the VADs? For a start, it stands for Voluntary Aid Detachment, an organisation created in 1909 with the support of the Red Cross and St John’s Ambulance Brigade, due to a fear that there would be a shortage of nurses to aid the military should there be a war. During the Great War (and Second World War) they were used in both hospitals in the UK and abroad where the soldiers were fighting. These ‘nurses’ were not trained like official nurses, but had taken first aid courses.

It wasn’t uncommon for them to be resented by the qualified nurses who thought it unfair that they should be called ‘nurses’ when they hadn’t done the same training. It didn’t help that the VADs were usually middleclass women, compared to the mainly working-class nurses. Usually they were given the dirtiest and most tedious jobs, like scrubbing, dealing with soiled dressings, emptying bedpans and cleaning up bodily fluids. And also the disposal of limbs. Some did work with nurses who valued their contribution and who trusted them with more complicated jobs.

Some of the books I’ve used to research VADs in the Great War

Those who, like Elizabeth, ended up near the war front in France, must have felt like they’d entered hell. Everything about it would have been harder than working in a hospital back home, where conditions would have been cleaner, not mud encrusted and covered with the detritus of explosions. The hospitals in Britain would largely have been dealing with soldiers who’d already been patched up in some way. It’s hard to imagine what horrors the nurses and VADs abroad encountered when men, often great numbers of them, descended upon a hospital at the front. There are reports of limbs blown off or hanging loose, gaping, festering wounds and skin and bone blown apart by gunshot. And then there were the severe mental health problems labelled at that time as ‘shell shock’, that we now call post-traumatic stress disorder.

The percentage of deaths on the front would have been way higher than anything they’d have encountered at a hospital back in Blighty. Many of the men would have been very young, not even considered adults, some probably small for their age as the underfed working classes often were back then. The VADs would have been reminded of their own fighting brothers, cousins, maybe uncles and fathers and many of their own sweethearts, knowing they faced the possibility of the same fate.

And by the way, the VAD nurses were not paid. The clue is in the word ‘Voluntary’. That’s right, they did it for nothing. Yes, they were mainly middle class and could afford to, but that shouldn’t be a cause to belittle their efforts. Having read many accounts of what they experienced, I can only admire them for their sterling work and dedication under horrific conditions.

A VAD in a ward I’m guessing was back in Britain, as the hospitals on the front tended to be makeshift huts and tents.

Hope in the Valleys

It’s August 1917 and WW1 continues to take a toll. The villagers of Dorcalon, a mining village in the Rhymney Valley, try to keep hope alive; but every day brings fresh tragedy as more of their sons and fathers are killed on foreign battlefields.

Elizabeth Meredith, daughter of mine manager Herbert, enjoys a privileged position in the village, but she longs to break free of society’s expectations.

Falling in love with miner, Gwilym Owen, brings more joy to her life than she’s ever known… until she’s forced to choose between her love and her disapproving family. Seeking an escape, Elizabeth signs up as a VAD nurse and is swiftly sent to help the troops in France, even as her heart breaks at leaving Gwilym behind.

Separated by society and the Great War, can Elizabeth and Gwilym find their way back together again? Or will their love become another casualty of war?

Hope in the Valleys is published by Hera Books and is available here:

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Publication of Hope in the Valleys and News of a Competition

With the publication of Hope in the Valleys today, Francesca is celebrating with a competition in which you can win copies of the various Valleys books and other goodies.

What an exciting day, with Elizabeth’s (and Gwen’s) stories the next to be published in the third episode of the Wartime in the Valleys series.

To celebrate, there’s a chance to win signed books, ebooks and other goodies in a simple to enter competition. The first prize is signed paperbacks of all three books, plus a basket of goodies. Second prize is all three ebooks, with a box of goodies. Third prize is an ebook of Hope in the Valleys, plus a bag of goodies. The items selected are either retro or connected in some way to World War 1.

There are three great prizes to win.

Did you know that ginger nut biscuits, Garibaldi, custard creams, Nice, Bourbons and shortbread were all around a hundred a years ago? So were wine gums, aniseed balls, jelly babies, humbugs, pear drops and chocolate limes, a mixed bag of which has been included in each prize.

And a prize to do with novels set in Wales wouldn’t be complete without a pack of Welsh cakes, would it?

To enter the competition, head over to my Facebook page and either like or follow it. Then go to the post headed *Competition Time* and answer the simple question there in the comments.

Easy! Good luck / Pob lwc!

ENTER THE COMPETITION HERE: https://www.facebook.com/FrancescaCapaldiAuthor

Will Elizabeth choose love over duty?

It’s August 1917 and WW1 continues to take a toll. The villagers of Dorcalon, a mining village in the Rhymney Valley, try to keep hope alive; but every day brings fresh tragedy as more of their sons and fathers are killed on foreign battlefields.

Elizabeth Meredith, daughter of mine manager Herbert, enjoys a privileged position in the village, but she longs to break free of society’s expectations.

Falling in love with miner, Gwilym Owen, brings more joy to her life than she’s ever known… until she’s forced to choose between her love and her disapproving family. Seeking an escape, Elizabeth signs up as a VAD nurse and is swiftly sent to help the troops in France, even as her heart breaks at leaving Gwilym behind.

Separated by society and the Great War, can Elizabeth and Gwilym find their way back together again? Or will their love become another casualty of war?

Available here:

Amazon http://author.to/FrancescaCapaldiAuthor…

Kobo http://bit.ly/3uVQ8u2

Apple https://apple.co/3aNTiIg

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