The Novel’s Just The Beginning…

Elaine Roberts talks about the next stage of her writing career

As all of you probably know by now, I have written my First World War One saga, The Foyles Bookshop Girls, and have been lucky to be offered a three book contract with Aria Publishing, which was duly signed. I planned my novel in scenes and chapters, tying in the historical timelines with my fictional one. It was all a huge learning curve for me, but I took my time. Sometimes, I moved scenes around, only to realise my characters were then talking about things that hadn’t happened yet. Thank goodness for modern technology and cut and paste. Imagine doing it on a typewriter.

I am now moving on, and I expect you’re all thinking I’m talking about my second novel. However, while I’m writing that, it isn’t it. I’m talking about another huge learning curve; marketing and promotion. This is something I’ve never done in any shape or form. I’ve never pushed myself forward into the limelight, never wanting the attention, but now I’m having to bite the bullet and force myself out there, otherwise people don’t know me, or my book, exists.

I did wonder if I could carve out a mysterious persona like Banksy, the street graffiti artist, but that’s not possible.

So what will my promotion look like? I’m not altogether sure. My publishers are arranging things behind the scenes and I know that includes a blog tour. For the people who don’t know, bloggers do a fantastic job reviewing books, interviewing authors and hosting competitions. They probably do a whole lot more than that, but I am in awe of the time and energy they put into their blogs, mainly because they love to read and to encourage others to do the same. If you are not a writer, please search out the bloggers on the Internet. They do a wonderful job.

Social media is now a big part of the process of marketing and promoting yourself. Do I hear you all scream noooo? Yes, that was me several years ago, when I was at the start of my writing apprenticeship.

I now have a website, and YouTube has also been mentioned.

Doing talks and being part of an event, instead of a spectator, is another new adventure for me. I’m booked to attend my first event, the War and Peace Revival 2018 at Paddock Wood in Kent. I’m sure as that gets nearer, panic will start to take hold!

I also write short stories/articles in the chosen genre/interest, which in my case is historical fiction.

Wherever your career path takes you, think ahead to your marketing strategy. There will be blogs out on the Internet that probably cover every subject you can think of. If not, start your own. Build your social media platforms; it’s how most people find things out these days. Take lots of photos; we all love a photograph.

Above all else, don’t forget to thank the people that helped you to achieve. In my case, there are lots, too many to name but they know who they are. Some will have just offered a word of encouragement, while others will have given me sound advice and critiqued my outpourings, but they’ve all played an important role in my achievement. Thank you for all that you have given me.

Twitter: Elaine Roberts

Facebook: Elaine Roberts Author

Website: https://www.elaineroberts.co.uk

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The Call of The Wild

‘In all things of nature there is something marvellous’. Francesca considers how to do it justice in her writing.

Spring has sprung, and although the weather on some days is better than others, the variety of weather we’ve experienced in the UK recently has been amazing to behold. So far we’ve had warm sun, freezing snow, mysterious fog, and torrential rain. What a mixture. But none of it has held back the inevitable gallop of nature as so many plants and trees blossom and fill the land with colour and texture.

Whenever I’m faced with some marvel of nature and am in a position to do so, I like to jot down my impressions. These can include colours, scents, textures and sounds. The view could be vivid or bleak, close up or distant. The landscape might be muddy, dry, smooth, rough, scraggy or lush, bright or shadowy. Or be a waterscape, whether sea, lake or pond.

When I need to describe a natural scene in a story, whether someone’s walking by the sea, strolling in a wood, sitting on a mountain or resting in the garden, referring back to my notes, made during a firsthand experience, renders it so much easier.

I also find taking endless photographs of all sorts of settings is invaluable. Here are just a few. I hope they’ll inspire you too.

In all things of nature there is something marvellous (Aristotle)

 

Wallflowers are anything but with their colour and scent

Sunshine and shadow

How green was my valley?

Pecked earth, feathers and a bit stinky

Layers, textures and shades of red and yellow

Warm sand, hard rock, cool water and lush greenery on the way to the sea.

 

The rippling, reflective water of a loch

An eerie sky

Peering into the hazy distance

What colour is that sky? Cerulean, azure, ultramarine? What sound does walking over the cobbles produce?

 

Twitter

March Competition Monthly on the RNA Blog

This Was Real Girl Power!

Elaine Roberts and Francesca Capaldi Burgess talk about how the First World War affected women on the home front.

Elaine: My World War One (WW1) saga, The Foyles Bookshop Girls, is based in London’s West End. When I started writing, it I must admit to being a little ignorant of how life was back in 1914. History wasn’t my strong point at school; I only remember learning about dates and royalty. However, I knew about the suffragette movement and the trench warfare of WW1, but I had to do considerable research about women at the home front, at this time. To be honest, I knew more about World War Two, so I don’t really know why I didn’t choose to write about that.

While the First World War wasn’t the only catalyst for change for women, it did bring women to the forefront of society. Prior to the war, many employers refused to take on married women, so it was mainly single women or widows that were employed outside of the home. Once the men had enlisted to fight for King and Country, women were actively encouraged to leave domestic service and take on more difficult and strenuous work. It’s no coincidence that it was after WW1 that some women got the right to vote and a few were allowed to stand as members of parliament, although that did take a few years to happen. On a practical level, hems got shorter and, in some cases, fashion took on a more military theme. With the men away, they also became the main wage earner; in some cases, the only wage earner. They took on managing the home, the family and elderly relatives, as well as managing the money. Earning a wage, albeit less than men doing the same work, also brought about the feeling of independence for the first time.

 

One of my great grandmothers, 1970s, in the ‘kitchen’ of her house, still reminiscent of the one she had in the mining village in the 1910s.

Francesca: The novel I’m currently working on, set in a Welsh mining village in the First World War, had its origins in my own family. Both my maternal great grandmothers were bringing up small children in 1914, two miles away from each other in the Rhymney Valley. I first got interested specifically in social history in the late Seventies, during my history degree. The story of the woman on the street, field, or in the case of my novel, the mine, is so much more fascinating than that of politicians and monarchs.

The experience of women in coal mining towns would have been a little different to that of other women in Britain, since most still had their men at home, precluded by the 1916 Military Service Act from enlisting. Life on the monetary front was a little easier than it had been before the war, because of pay increases due to the urgent necessity of steam coal for the navy. But a little more money in your pocket is of no consequence when food becomes short, as it did quite quickly. Women tended to feed their husbands and children first. This often meant they went without. Their health suffered as a consequence.  Many women in these working class environments died of diseases they couldn’t resist, or in childbirth.

Women were considered feeble not only physically but often intellectually. Most working women were in domestic service or did shop and clerical work. Others, mainly middle class women, went into nursing or teaching, but had to leave once they married. Many women, including those in mining villages, took work in at home, like laundry, sewing and knitting.

My Italian paternal grandmother, c1914. She was a war widow and bought her own business in England in the 1930s.

Women’s position in the work place changed during the war, as more men signed up and were eventually conscripted. Women took on factory jobs, then farming jobs when the Women’s Land Service Corp got going in May 1915 (Becoming the Women’s Land Army in 1917). In mining villages, women had long done the job of screening coal. As the labourers who emptied trucks at the top of the pit were sent to war, women were employed to take these back breaking jobs on too.

Some men refused to work with women, afraid that if they could handle the work, it would be undervalued. They were right to be worried. After initial scepticism about women’s ability to cope in the factories, a report in November 1915 found that women were, in fact, more efficient!

Despite coping and getting on with the challenges, women were still seen as poor, weak creatures, in need of ‘Guardians’ to look out for misconduct. The police were also encouraged to keep an eye on them. Women got an allowance while their husbands were away fighting, but the newspapers created the idea that women were frittering it away on items like alcohol. Regardless of this, for many women who’d been bullied by their husbands, it was a time of freedom.

By the end of the war, there were many widows, or women who would never get the chance to marry. They found themselves in a position where they had to work, or keep on working, in order to live. Many women who campaigned to retain their jobs after the war, and fought for equal pay, were considered ‘hussies’. They weren’t discouraged, but kept on fighting to improve their working lives.

We have a lot to thank them for.

 

Twitter: @FCapaldiBurgess         @RobertsElaine11

Elaine’s Facebook Author Page

Amazon: The Foyles Bookshop Girls

Francesca’s Competition Monthly on the RNA Blog

It’s The Real Thing

Elaine Roberts talks about how her dream has become a reality.

When you have a dream, or what you think is an unachievable ambition, and it suddenly becomes a reality, does it live up to what you expected?

Me WorkingIn my case, the dream, or the lofty ambition, was to become a published novelist and to see my name on a cover. I have been lucky to have many short stories published in different countries, but the novel was always my dream for as long as I can remember. There were times when it felt the learning curve, the work, the commitment needed was insurmountable, but it wasn’t. It just needed time, patience and reminding there was no rush. I had to learn my craft.

The followers of this blog will know that I signed a three-book contract with Aria, Head of Zeus, at the end of 2017. Since then, my dream has become a reality. I’ve had structural and copy edits in, thankfully nothing too onerous. Rightly or wrongly, the copy edits made me chuckle because I hadn’t realised how many times I’d used the phrase “took a deep breath”, despite reading through quite a few times before sending it off. Thanks goodness for editors. I met my editor for lunch this week and I think we could have talked long into the night, and without alcohol, amazingly. Part of our conversation was about book four onwards – now that was scary. Joking aside, the team at Aria are lovely to work with.Business Card

Thanks to my son, I now have some wonderful business cards and a nearly finished website, with an interactive business card on it. I got so excited about the card on the website, I was like a child at Christmas. I also have an author page on Facebook. So you can see, I am now on another steep learning curve about promoting myself. If you visit my author page, please feel free to like and follow me. It’s always good to talk.

I’m sharing the cover of my first novel, The Foyles Bookshop Girls, here first.
The Foyles Bookshop Girls

I was beyond excited when it became available for pre-order on the Amazon, Kobo and WH Smith’s e-book sites.

Amazon:          The Foyles Bookshop Girls

Kobo:               The Foyles Bookshop Girls

WH Smiths:    The Foyles Bookshop Girls

 

So my opening question was, does the reality live up to the dream? My answer is a resounding yes. It is hard work and there are times when I hate what I’m writing, that’s usually around the 30,000 word mark, but I can’t stop writing. It’s in my blood, my DNA. You can rest assured I have ordered a kindle version of my book but when it becomes available I will also order a paperback copy as well. It’s so exciting!

By the nature of the word “dream”, what you want always feels unachievable, but what you have to remember is, if your dream was easy, everyone would be doing it and then it wouldn’t be your dream, because it would be the norm.

Good luck to everyone who has a dream, no matter how small that is. Stick with it. With perseverance and patience, you can get there. If I can do it, so can anyone.images

Facebook:        Elaine Roberts Author

Website:          www.elaineroberts.co.uk

Twitter:           RobertsElaine11

 

 

Guest Author Rosemary Goodacre on ‘A Fortnight is Not Enough’ and Provence.

Today we welcome author Rosemary Goodacre, who tells us about her debut novella, A Fortnight is not Enough, set in beautiful Provence, and her connection with the area.

Portrait Rosemary GoodacreWelcome to the Write Minds blog, Rosemary. This must have been an exciting time for you with the publication of your first novella. Did you do anything to celebrate?

I’m really thrilled with the news but haven’t done anything special yet to celebrate. I’m busy with social media publicity and current writing projects.

You describe the Provençal town of Pont-César in some detail, its narrow streets, market, cafes, Roman arena and so on. Is it based on any particular town or towns?

When we visited the south of France in 2016 we stayed in Arles, on the Rhône, the main inspiration for Pont-César. In the arena there you can take part in ‘gladiator training!’

Did you visit anywhere else in Provence?

We visited the Carmargue, a marshy coastal area where flamingos live wild, and Avignon, where you can see the famous bridge (no longer quite complete) and the palace, occupied in the Middle Ages by certain Popes.

gladiators

‘Gladiator training’ in Arles

Imogen’s French in the book is described as being good. Are we right in thinking you also speak French

My father’s family came from the continent and my grandparents spoke French at home. I’m not fluent but I can keep up a conversation. My cousin comes from Liège in Belgium, where they speak French. She now lives in France, in the Gers, not far from the Pyrenees, and we went on to visit her in 2016.

The two main characters, Imogen and Jules, are both artists. Have you ever dabbled with painting yourself?

I’m afraid it was only dabbling. I knew what I wanted to paint but didn’t have the skill to execute it well. I have friends and relatives who paint and it’s a lovely career or pastime.

Several Impressionists are mentioned in your story as being on display in the gallery. Do you have a favourite Impressionist artist?

I haven’t got a favourite but I love their images of sunshine and sparkling rivers. Their lives were probably more challenging than the idyllic pictures suggest.

Jules’ maman cooks some tasty dishes for Imogen. What French food do you particularly enjoy?

There’s a very wide variety of French food, including, thriftily, creatures and parts of creatures we don’t normally eat. In Toulouse I resisted trying the popular dish of Gizzards. Most French food is delicious, though. I love the healthy Mediterranean diet of fruit, vegetables and fish.

What are you working on next?

I’ve recently completed a romance entitled The Day of the Dolly Bird, set in London in the Swinging Sixties. It has been critiqued by a professional novelist through the New Writers’ scheme of the Romantic Novelists’ Association, and received a largely favourable report. At present I’m writing a historical novel set in World War I.

Thank you for taking the time to answer our questions, Rosemary. All the best with A Fortnight is not Enough.

Many thanks for inviting me to your blog, Francesca and Elaine.

Find Rosemary on Facebook and Twitter

A Fortnight is not Enough

A Fortnight is not Enough-cover-miniHave you ever enjoyed a holiday so much you could not bear to go home?

When 18 year old Imogen from London meets Jules in the south of France she is painting a view of the river and finds he is an artist too. As a student he earns a little by restoring paintings at the nearby gallery. She extends her three day stay to a fortnight. She loves the warm sunshine and the old town with its Roman remains.

As she becomes increasingly attracted to Jules she is unwilling to return home, where her older boyfriend Luke employs her in his photography gallery, obsessed with furthering his own ambitions. She travels to the airport but then impulsively misses her flight.

Will she need to return to London or can she and Jules find a way to allow her to stay? When the gallery is threatened, fate takes a hand…

Published by US publisher, Books to Go Now and available from Kobo Amazon UK and Amazon US

 

 

Never Work with… Children?

Francesca wonders whether the WC Fields quote applies in writing also. Is creating young characters troublesome?

The original ‘Cosmo’.

A couple of years ago, I received a critique for a novel that featured three-year-old twins, Elin and Rhys. The feedback was greatly encouraging, though it did call into question whether my toddlers would speak and act the way they did. The critiques are done anonymously, so I didn’t have an opportunity to say yes, they would, because they’re based heavily on my eldest grandson, Luca, himself three at the time. For that reason I felt confident I’d got them more or less right.

It wasn’t the first, or last, piece of writing where the child characters were inspired by my own progeny. Around the same time I wrote a long short story (if you get what I mean) about a cute three-year-old called Cosmo, who loved ‘woowoos’, ie, emergency vehicles. He was also based on Luca. The story was sadly commissioned for an anthology that never saw the light of day – but I’m not bitter!

It’s not only Luca who gets to hog the limelight. The third short story I had published,  A New Beginning, in The Weekly News back in 2009, featured teenager Peter. It’s no coincidence that Peter is the name of my oldest son. Since then each of my four children have appeared in at least one story, though not always under their own names. Using them as models for characters has been useful though.

To date I’ve written eleven short stories and five novels that feature children or teens. My first two novels were, in fact, Young Adult. The second of those (shortlisted for the Wells Festival of Literature Children’s Competition in 2016) featured several sixteen-year-olds. While none of them were based on my children, I did use them as source material on various aspects of young adult life. There’s nothing funnier than hearing your teenage son on the phone go, ‘Yeah man, sweet, sweet. Sick!’

Peter in his ‘Bluestone’ days.

Peter and my younger son Jack have both been involved in the music scene, one as a musician, the other as a club DJ. This has been useful for research. Peter even made me a CD compilation of club music, to play and refer to while writing a party scene. I can tell you it’s weird hearing a sample of Thomas the Tank Engine in the middle of a drum and bass piece!

With or without your own progeny, there are plenty of other ways to research children and teens. Observe them in cafes and on trains. Children’s and youth magazines are useful. What’s in with the little kids these days? What are teens wearing, listening to, watching? Get a TV guide and see what programmes are popular. Watch a bit of BBC 3.

Dear Diary…

It also helps if you have a good memory – and a diary. I’ve long been in possession of a journal written in the summer 1971, by half-a-dozen of us who worked at my dad’s cafe. We were thirteen/fourteen at the time. Yes, it was common for that age group to do seasonal cafe work back then. We were fascinated and frightened by boys in equal measure. The diary reveals us to be crazy, bitchy, moody and inclined to stomp off and cry (the others, not me of course!). I’ve recently used the diary, along with my own memories, for a short story set in 1971 about Sandi and Steve. It was a hoot revisiting those mad days of funfairs and discos. Diaries from one’s youth are handy for recalling what it was like to be young.

As the WC Fields quote goes, Don’t work with animals and children. Animals in writing is a whole other subject I might cover another time, but I’d contest the children part. I’ve enjoyed creating children older and younger, playing out their stories on paper. They’re complex, wonderful, exasperating, worrying and hilarious. What more could you ask of a character? And I’ll let you into a secret. Despite coining that quote, WC Fields secretly admired children greatly. So there you go. Do work with children, on the page in a writer’s case. It’s fun!

@FCapaldiBurgess

 

Back Where We Belong…

Francesca and Elaine are catching up with what’s been going on in the last couple of months.

Elaine: So you first Francesca, what’s your excuse for being absent?

Enjoying the RNA London Chapter Christmas meal in December

Francesca: Well Elaine, I spent the latter part of 2017 editing my historical novel, set in 1915/1916 in South Wales. It has taken me a lot longer than the contemporaries I’ve written, for obvious reasons. The history graduate in me has pushed me to research, re-research, then research a little more. It doesn’t take much to become absorbed by even quite minor subjects and spend longer on it than is necessary.

I’ve found this particularly with the census. I’m fascinated with the minutiae of everyday life as revealed by these documents. It’s all too easy to get carried away, especially when you can sit in the comfort of your own home to study them, rather than in a records office as I did forty years ago, straining my eyes to look at the microfiche.

Okay, Elaine, what’s the excuse for your absence from the blog?

Elaine: Oh you mean apart from spending several weeks in bed with the flu virus that has been going around and obviously excluding Christmas, which is always a hectic time in my house. You know, I can’t believe how long it’s been since we last chatted here. Where have those weeks gone?

Elaine’s New Photo

Gosh, I sound like my mother!

Anyway, my year ended with stunned excitement, if that’s possible. I received an e-mail and phone call from Aria, which is the digital imprint of Head of Zeus Publishers. I have signed a three-book contract with them and, if I’m honest, I still can’t believe it. It all feels very surreal after years of working towards that goal, but watch this space for further news of the cover, title and publishing date. To celebrate, my son took a new photograph of me, so I thought I’d share that with you.

So what’s next Francesca?

Francesca: First of all, congratulations! You deserve the success as I know you’ve worked hard. As for me, I’ve nearly finished editing now and it will then be submission time. With a bit more time back, I’m going to concentrate on other submissions too, particularly the short stories, which have taken a back seat during the current novel. I’m looking forward to writing and submitting some shorter pieces.

And what’s next for you, Elaine?

Elaine: I’m working on book two of my contract, but I don’t want to give too much away at this stage. It was already started, but now I know someone is going to actually read it, I’m revisiting the structure of it. I shall also be working on the edits of book one when they come through.

I have a list of things to do, most of it around social media and promotion, but I also need to start thinking about book three.

It’s scary times ahead.

What have you lot been up to then? We’d love to read your comments.

@RobertsElaine11

@FCapaldiBurgess

You can read Francesca’s January Competition Monthly on the RNA Blog here