Do you have a dream?

Elaine is looking at our dreams and ambitions ahead of the publication of her novel The West End  Girls on Thursday.

The novel is set in World War One London. The main character, Annie, in The West End Girls had a childhood dream, that wouldn’t go away, but it didn’t match what her parents wanted for her. Annie had to decide how far she would go for it. As they say nothing comes for free. She needed the support of her friends, and a wake up call, to give her the push she needed to move forward with it.

Dreams and ambitions come in many forms; they can be for you, your family, and friends or for the people of the world.

Do you have a dream? Can you share what would motivate you to try to achieve it? Can you tell people what it is? Are there people in your life that would support you if they knew about it? That support may not be directly helping with your ambition, it might be to do the ironing or other tasks to free up your time. Is it something you can put the building blocks in place for when you’re ready to take the risk of going for it?

My ambition for as long as I can remember was to write, but life got in the way of it that is until about ten years ago. I was in my fifties then and I suddenly realised that time was running away from me. So with the support of my family I started to attend classes to learn, that was in 2012.

I also watch a poet on YouTube, Prince Ea. His poem, Everybody Dies But Not Everybody Lives, struck a very powerful cord within me and I would definitely recommend listening to it. I will add the link at the bottom of the post. I haven’t listened to all his posts so I’m only talking about this particularly poem. It made me realise I don’t want to be a ‘Kinda’ person; which is what he talks about. I wanted to at least try to achieve my dream so whenever I got down I listened to the poem again and received the much-needed boost.

Reaching your dream can be a wonderful thing, a massive feeling of achievement, but sometimes it’s not always as we imagined it would be. It took me six years to achieve my dream, it was a compromise on my original one but I’m more than happy with it.

Good luck with whatever you wish to do in life, just make sure you live it.

You Tube: Prince Ea – Everybody Dies But Not Everybody Lives

Amazon: The West End Girls

Growing up on a farm in the country, Annie Cradwell has always dreamt of singing on stage. So when she hears her friend Joyce has a room to spare in London, she sets off with best friend Rose for an adventure beyond anything they could have imagined. 

In London, Annie and Rose stumble into jobs at the Lyceum Theatre. Being a dresser to capricious star Kitty Smythe wasn’t exactly what Annie had in mind. But then the musical director, Matthew Harris, offers her singing lessons. And Annie starts to wonder – could this be her chance? Or is it all too good to be true? 

With the threat of war in the air, everything is uncertain. Is there a place for hopes and dreams when so much is at stake? 

Annie, Rose and Joyce are three girls with very different dreams – but the same great friendship. 

Elaine’s New Photo

Author Bio

Elaine Roberts had a dream to write for a living. She completed her first novel in her twenties and received her first very nice rejection. Life then got in the way again until she picked it up again in 2010. She joined a creative writing class, The Write Place, in 2012 and shortly afterwards had her first short story published. Elaine is very proud of The Foyles Bookshop Girls saga trilogy, which her late husband encouraged her to write. She, and her extended family, live in and around Dartford, Kent and her home is always busy with children, grandchildren, grand dogs and cats visiting.

Heartbreak in the Valleys: Blog Tour

Francesca shares the dates for the upcoming blog tour for Heartbreak in the Valleys

Only one more sleep and it’ll be publication day for my debut saga, Heartbreak in the Valleys. Despite all the short stories and the three pocket novels I’ve had published, this marks a new chapter in my writing life.

The blog will be a mixture of interviews and reviews. Do pop in if you have time and say hello.

In the meantime, Heartbreak is available for downloads by reviewers and bloggers on:

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It’s the Pits

Francesca has a look at a coal miner’s life a hundred years ago, ahead of the publication of her novel, Heartbreak in the Valleys on Wednesday

In the post a couple of days back, I had a look at a working-class woman’s life a hundred years ago. Today, I thought I’d look at the life of a working-class man, a coal miner, to be exact. While it’s true women worked double the hours in the home, the life of pitmen was no bed of roses, but a backbreaking, health compromising slog.

Big Pit at Blaenavon, as it is today

Shift patterns varied a little, so these are all examples, but they tended to be eight hours a day by this time. In previous years, they’d have been longer. There were often three shifts, the morning (around 6am till 2pm), the afternoon (2pm till 10pm) and the night shift (10pm till 6am). Those who worked underground, which would have been the majority, faced eight hours in a cramped space, their immediate area lit only by a lamp, breathing in cold dust and noxious gases, among them black damp (including carbon dioxide), white damp (including carbon monoxide) and firedamp (which was highly flammable and caused many explosions).

Any food or drink they took down would have to be consumed in these gritty conditions. One account I found described taking bread and dripping (a staple of working-class diets at this time) in newspaper. To drink, they’d often take a tin water bottle containing tea (which presumably went cold quickly).

The chances of an early death were high. The local newspapers of the time are full of reports of fatal accidents. I came across over 20,000 results searching over only the four years of World War 1. Being knocked over by a runaway tram was extremely common, as was being crushed by a roof fall. Pit cages (in which men travelled down to the shafts) were occasionally known to crash and kill the occupants. Then there were the explosions, caused by the gases that accumulated, particularly firedamp. If you survived an explosion, but didn’t get out of the pit quickly, afterdamp, the toxic gas left, would quite likely see you off.

If you managed to avoid or survive the many misfortunes that could befall you in the mine, your health would likely still be compromised by an inflammatory skin condition or a respiratory disease. The latter could include pneumoconiosis, asthma, emphysema and lung cancer. One of my great grandfathers had emphysema recorded on his death certificate, and he hadn’t worked in the mine for forty years.

Abertysswg today

In 1902, there was an explosion in the McLaren Colliery in Abertysswg, Monmouthshre, the place I based my fictional village in Heartbreak in the Valley on. Sixteen men were killed, half of whom were under thirty, the youngest being seventeen. The worst ever mining accident in the United Kingdom took place at Senghenydd Colliery, near Caerphilly, in 1913. The explosion killed 439 miners.

A few years ago, on a trip out from the Writers’ Holiday in Caerleon, I visited Big Pit at Blaenavon. It’s been closed as a mine for forty years and is now a tourist attraction. Going down to the tunnels gave only a tiny taste of what it was like to have worked there. At one point our guide, a former miner, turned off the lights to give us some idea of what being trapped in real darkness would be like.

It’s not something I’d want to experience for more than a few seconds.

Link: Big Pit, Blaenavon

ABOUT HEARTBREAK IN THE VALLEYS

The world was crumbling, but her love stayed strong

November 1915. For young housemaid, Anwen Rhys, life is hard in the Welsh mining village of Dorcalon, deep in the Rhymney Valley. She cares for her ill mother and beloved younger sister Sara, all while shielding them from her father’s drunken, violent temper. Anwen comforts herself with her love for childhood sweetheart, Idris Hughes, away fighting in the Great War.

Yet when Idris returns, he is a changed man; no longer the innocent boy she loved, he is harder, more distant, quickly breaking off their engagement. And when tragedy once again strikes her family, Anwen’s heart is completely broken.

But when an explosion at the pit brings unimaginable heartache to Dorcalon, Anwen and Idris put their feelings aside to unite their mining community.

In the midst of despair, can Anwen find hope again? And will she ever find the happiness she deserves?

“Heartbreak in the Valley is a fabulous debut. Rich with well drawn characters, twists and turns, sense of history and place…  it was hard to put down. I loved it!” Author Rosie Hendry

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Welcome to our own Francesca Capaldi and Heartbreak in the Valleys

Today Francesca is popping in to answer a few questions

 

Tell us about your setting and why you chose it?

Abertysswg today

The setting came out of the initial idea. Since that was to do with a miner being discharged from the army, it seemed likely he’d come home to a mining area. And since it was based on my own great grandfather Hugh’s experience, and he was from the Rhymney Valley, that seemed like the perfect choice. However, I didn’t even consider Hugh’s actual place of residence at the time as the basis of my imaginary village. He was living in New Tredegar. I immediately knew I wanted to set it in a village based on one up the road, Abertysswg. This is where my other great grandparents were living, along with my great great grandfather. I’d visited it a couple of times, once with my mother, who was born there, and later with one of my children, so had a better idea of its layout. It was built around 1900 as a ‘model village’, according to newspaper reports, for the workers of the McLaren pit. The houses were placed on the hillside overlooking the colliery in the dip of the valley.

As I researched the village, largely via the Welsh local newspapers which can be accessed online, I discovered there was quite a community here. The funds for both the hospital and the Workmen’s Institute were raised by the villagers themselves, through subs. Health care continued to be paid for by subs, a kind of early national health system. The Workmen’s Institute, far from being just for the men, laid on all sort of talks and social activities. It also contained a library. Studying the village was like researching my own past, knowing that my grandparents and some of their family members would have partaken of these activities.

Abertysswg with red outline showing roughly where the colliery was.

I took the decision to rename the village Dorcalon (which literally means ‘heartbreak’) because I wanted to be flexible with some details and dates. For instance, there was a mining disaster in Abertysswg in 1902, but I needed one in 1915. Where real places are concerned, I do try to be as accurate as I can. My village does sit in the same spot on the map though, with Rhymney up the road and New Tredegar down the road. The other useful aspect of picking somewhere real as a basis is that it’s easier to be consistent with places like chapels or shops.

The pit itself was closed in 1969 and is long gone. I’ve never seen it in reality, but have seen plenty of photographs which give me an idea of what it must have been like to live with such a brooding presence. It’s a character in itself.

Where do your ideas come from?

As with Heartbreak in the Valleys, quite a few of my ideas have been sparked by my family, including a serial I wrote for The People’s Friend and several short stories. A few have come from my own childhood, living on the Sussex coast. Often something will occur that makes me think, there’s a story there. Stories in the media and overheard snatches of conversation are good too.

Do you have a favourite writing place?

Whitstable – where I’ve often sat to write

If I could, I’d sit by the beach for ever, writing, but since I don’t have a seaside shack at my disposal, I tend to sit in the dining room at home so I’m overlooking the garden. I go on week-long writing retreats with writing friends every now and again, and invariably a seaside location is picked by us all. On occasion the house will overlook the sea, which is marvellous. I’m the one most likely to take my notebook down to the beach or to a café overlooking it, to write. There is something soothing about the water and the lapping of the waves.

What are you working on at the moment?

I’ve just finished the second Valleys book, which is now with the publisher. I’m not sure yet whether they’ll want a third in the series, so I’ve gone back to another saga I was writing, again set in the First World War. This time it’s set by the seaside (surprise surprise!).

 How do you select the names of your characters?

For Heartbreak in the Valleys I looked at the 1911 census, a list of top names in different decades and an online list of Welsh names. I think there are possibly more Welsh names in my novel than there would have been in that area at the time, judging by the census, but I’m unrepentant! The local newspapers were also handy for this.

 

ABOUT HEARTBREAK IN THE VALLEYS

The world was crumbling, but her love stayed strong

November 1915. For young housemaid, Anwen Rhys, life is hard in the Welsh mining village of Dorcalon, deep in the Rhymney Valley. She cares for her ill mother and beloved younger sister Sara, all while shielding them from her father’s drunken, violent temper. Anwen comforts herself with her love for childhood sweetheart, Idris Hughes, away fighting in the Great War.

Yet when Idris returns, he is a changed man; no longer the innocent boy she loved, he is harder, more distant, quickly breaking off their engagement. And when tragedy once again strikes her family, Anwen’s heart is completely broken.

But when an explosion at the pit brings unimaginable heartache to Dorcalon, Anwen and Idris put their feelings aside to unite their mining community.

In the midst of despair, can Anwen find hope again? And will she ever find the happiness she deserves?

“Heartbreak in the Valley is a fabulous debut. Rich with well drawn characters, twists and turns, sense of history and place…  it was hard to put down. I loved it!” Author Rosie Hendry

Book Links

Amazon: https://amzn.to/2XUSTyB

Kobo: https://bit.ly/2XZ0RGI

Apple: https://apple.co/2KsIfqJ

 

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A Woman’s Work…

Francesca looks at how a working class woman would have spent her week a hundred odd years ago, after the research she did for her saga, Heartbreak in the Valleys.

Imagine doing without your vacuum cleaner, washing machine, fan oven with controllable temperature, dishwasher, fridge and freezer. I wonder if you could live even a week without at least some of them.

Turn back the clock a hundred or so years, and imagine yourself as a full time housewife, having none of those conveniences to hand.

Let’s start with your lack of washing machine, not to mention the tumble dryer. It’s Monday, a typical wash day. You have your washing board standing in the sink, which is full of water (boiled, as you have no running hot water). You’ve made the water nice and soapy, but not with your super powerful laundry liquid or washing powder, but with a bar of soap, maybe Puritan or Sunlight. To get the clothes clean, you haven’t got the drum action of your washing machine, but have to rub them rigorously against the washing board. You’ll change the water two or three times while you’re washing. Then comes the rinsing. Seven times should do it, if you’re lucky. Next, get them them through the mangle to squeeze out excess water. Now you can put them into your basket and hang them out on the washing line, a nice long, rope one of course, none of your rotary lines. If it’s raining, you might be lucky enough to have an indoor dryer hanging from the ceiling in the kitchen, near the range.

If you happen to be a miner’s wife, you’ll probably wash the pit clothes separately in a wooden tub in the back yard, using a dolly. As for blankets and curtains, you’ll likely wash them in the zinc bath. You’ll need to boil a few buckets of water for that.

Come Tuesday you’ll be thinking about ironing. You won’t have one of those electric ones on which you can adjust the heat. Your flat iron will be sitting on the grate, getting hot. You’ll sprinkle each item with water and roll it up to dampen it. To test the temperature, spitting on the iron is favourite. Once it’s sizzling nicely, you’ll insert it into a metal cover so that the clothes aren’t soiled by the ash it might have picked up.

Now you’ve been nicely tired out by all that activity, it must be time for a rest, yes?

No. During the course of the week you’ll in all likelihood be the first up in the morning and the last to bed at night. You’ll do around double the hours of work your husband does. It’s quite likely you’ll be short of food, especially during the First World War, but you’ll make sure your husband and children have enough –even if you go without.

You might well allocate Wednesday to baking (if there’s anything left in the shop to bake with). You’ll walk to the shops with your basket and carry home all your goods (no car), and you’ll probably do this most days.

And what of cleaning? Among the items on your list each day will be scrubbing floors, beating mats, cleaning walls and windows, polishing brass, blackleading the grate, scrubbing the front step, windowsills and pavement, sweeping and dusting, emptying and filling the grate, polishing the furniture and carrying and boiling water – particularly when your husband comes home covered in coal dust. Preparing the huge zinc bath, normally carried from the scullery to the kitchen, is a whole set of jobs on its own. Talking of coal dust, the constant presence of it in the air makes your job twice as hard.

On top of this, there’ll be preparing and cleaning away meals (don’t expect any help from your husband), nursing and caring for children (of which you may have quite a few), painting and papering walls and repairing shoes. Don’t forget the mending of clothes. At least you can have a sit down for this. If you’re nifty with a needle, perhaps you even make your own clothes.

If you’re thinking, ‘I could have some days off after all that lot, surely,’ don’t forget your neighbours will be eyeing up your efforts and making sure your house is spotless, otherwise they’ll be whispering to others about what a slattern you are.

Of course, you could be widowed, since death rates in mining were higher than in a lot of other occupations. Then you might have to on a job as well, or take in other people’s washing, or offer a mending service.

If all that has worn you out just reading it, spare a thought for the poor working class women of my imaginary village of Dorcalon in Heartbreak in the Valleys. The village might be imaginary, but the work women did back then was real enough.

So, all hail the modern household appliances. I certainly appreciate them even more now.

ABOUT HEARTBREAK IN THE VALLEYS

November 1915. For Anwen Rhys, life is hard in the Welsh mining village of Dorcalon, deep in the Rhymney Valley. She cares for her ill mother and beloved younger sister Sara, all while shielding them from her father’s drunken, violent temper. Anwen comforts herself with her love for childhood sweetheart, Idris Hughes, away fighting in the Great War.

Yet when Idris returns, he is a changed man; no longer the innocent boy she loved, he is harder, more distant, quickly breaking off their engagement.

When tragedy strikes Dorcalon, Anwen and Idris put their feelings aside to unite their mining community.

In the midst of despair, can Anwen find hope again? And will she ever find the happiness she deserves?

Published 10th June 2020 by Hera Books

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Image attributions

Wash tub: Image by Thomas Wolter

Flat Iron: Image by Greg McMahan

Other photos copyright of Francesca Burgess

Didn’t We Have a Lovely Time…

Francesca looks back at her holidays in Wales ahead of the publication of her Welsh saga, Heartbreak in the Valleys

Mountains, Gandalf!

As a child we didn’t have many holidays, mainly because my father’s business relied on spring and summer trade, so when we did go it tended to be in the autumn. We always went to the same place, to stay with my cousins in Merthyr Tydfil.

 

Cardiff Castle

Now as far as I recall, I’ve never been to Bangor, the subject of the song in the title above. However, our cousins, being very partial to a drive out, certainly took us to a lot of other places. We’d drive for hours around mountain roads, admiring the wonderful landscape. I remember being particularly fascinated by the tiny streams that used to run in crevices down the mountains. My cousins were particularly fond of picnics, so most days we’d park up in a beauty spot to enjoy some sandwiches and scenery.

With Mum and a cousin at Mumbles

I loved the trips to Swansea, particularly Mumbles, looking out at the Gower peninsular. I always remember it being sunny, which was lucky considering we always went around mid October.

 

Devil’s Bridge

Another favourite spot was Devil’s Bridge in Ceredigion. The great height of water, cascading down into an abyss (or so it seems) is quite something to behold.

Now don’t ask me why, but my family had a penchant for visiting reservoirs. I have dad’s old photographs of several dams, three of which I’ve identified as Llyn Brianne, Elan Valley and Ponsticill.

Elan Valley Reservoir

Castles, of which Wales has many, were another favoured trip out. I found the more ruined ones the most romantic, invoking tales of long ago. One trip to Cardiff Castle was particularly memorable as there was an art exhibition on. My mother, never the most subtle of people, made some comment about anyone being able to paint that rubbish, only to find the artist standing behind her. Oops. She wasn’t best pleased, as you can imagine!

Llandovery Castle

One day we drove to the house where my mum and grandma were born, the one in which my great gran lived for many years. This was in the village of Abertysswg in the Rhymney Valley. Little did I know then that I’d one day write about somewhere based on that village, except I called it Dorcalon.

Abertyssyg in the Rhymney Valley

 

ABOUT HEARTBREAK IN THE VALLEYS

November 1915. For Anwen Rhys, life is hard in the Welsh mining village of Dorcalon, deep in the Rhymney Valley. She cares for her ill mother and beloved younger sister Sara, all while shielding them from her father’s drunken, violent temper. Anwen comforts herself with her love for childhood sweetheart, Idris Hughes, away fighting in the Great War.

Yet when Idris returns, he is a changed man; no longer the innocent boy she loved, he is harder, more distant, quickly breaking off their engagement.

When tragedy strikes Dorcalon, Anwen and Idris put their feelings aside to unite their mining community.

In the midst of despair, can Anwen find hope again? And will she ever find the happiness she deserves?

Published 10th June 2020 by Hera Books

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